Armon Jay's ' "Playing With Fire" was released on its scheduled release date, November 20, 2015. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 10 in Del Rio by Armon Jay. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Playing With Fire is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Playing With Fire by Armon Jay is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Through Your Eyes | Jordan Critz, Birdtalker | C Major | 3 | 8B | 82 BPM | ||
| Where You Want to Be | UMI | B Minor | 3 | 10A | 109 BPM | ||
| Desire | Ryan Adams | G Major | 2 | 9B | 154 BPM | ||
| When Will I Belong | Geographer | D Minor | 3 | 7A | 100 BPM | ||
| Breaking Free | Night Riots | G Major | 9 | 9B | 166 BPM | ||
| Land of the Living | Matthew Perryman Jones | D Major | 8 | 10B | 136 BPM | ||
| More I See | S. Carey | E Major | 5 | 12B | 141 BPM | ||
| And Still, the Darkness Comes | Aron Wright | D Major | 5 | 10B | 111 BPM | ||
| Nothing Was Stolen (Love Me Foolishly) | Phosphorescent | B Major | 5 | 1B | 134 BPM | ||
| Same Changes | The Weepies, Deb Talan, Steve Tannen | Dâ™ Minor | 7 | 12A | 127 BPM | ||
| Long Road Home - Acoustic | Imaginary Future | D Major | 1 | 10B | 92 BPM | ||
| Come to Life | Trent Dabbs | C Minor | 3 | 5A | 148 BPM | ||
| Journey On | Elms District | C Major | 5 | 8B | 130 BPM | ||
| Shadows on the Wall | Goldspot | A Major | 4 | 11B | 73 BPM | ||
| As The Devil Pleases | Will Cookson | G Major | 3 | 9B | 140 BPM | ||
| Here With Me (Two Worlds) | Susie Suh | E Major | 4 | 12B | 130 BPM | ||
| Something About You | Sam Joseph Delves | C Major | 2 | 8B | 100 BPM | ||
| The Bad Days | David Ramirez | D Major | 4 | 10B | 125 BPM | ||
| Hold Your Head Up High | Darlingside | A Major | 3 | 11B | 132 BPM | ||
| It's Never Too Late (End Credits) | Benjamin Gibbard | C Major | 4 | 8B | 180 BPM | ||
| Empiricist | Typhoon | D Major | 6 | 10B | 120 BPM | ||
| Umpqua Rushing | Blind Pilot | C Major | 6 | 8B | 78 BPM | ||
| Killing Me | Luke Sital-Singh | A Major | 2 | 11B | 135 BPM | ||
| To the River | Down Like Silver | C Major | 0 | 8B | 82 BPM | ||
| Not Ready to Say Goodbye | Leah Nobel | A Minor | 2 | 8A | 115 BPM |