"母になる日々" by Kenji Kawai had its release date on February 24, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 映画『さよならの朝に約束の花をかざろう』オリジナルサウンドトラック, so we believe that "母になる日々" is a single. 母になる日々 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 母になる日々 by Kenji Kawai is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bloodline's Destiny | Alisa Okehazama | D Major | 4 | 10B | 83 BPM | ||
| Remembrances... | Federico Dubbini | D Minor | 2 | 7A | 88 BPM | ||
| The Mushroom Forest | Takatsugu Muramatsu | F Minor | 1 | 4A | 71 BPM | ||
| 兄弟の愛 | Kenji Kawai | A♭ Major | 1 | 4B | 119 BPM | ||
| 別れとの出会い | Kenji Kawai | E Minor | 1 | 9A | 120 BPM | ||
| Ransom | 神前 暁 | F Minor | 3 | 4A | 114 BPM | ||
| After all, it's frustrating | Takashi Ohmama | B Major | 1 | 1B | 66 BPM | ||
| メアリのテーマ | Takatsugu Muramatsu | G Major | 5 | 9B | 100 BPM | ||
| ケイシーの罪 | 加藤慶久 | A Major | 1 | 11B | 162 BPM | ||
| The Oiwa Home | Yomiuri Nippon Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
| 田園風景 | 水谷広実 | G Major | 2 | 9B | 94 BPM | ||
| Paradise Prairie | Chamber Chu, Playing For Formosa | A♭ Minor | 9 | 1A | 99 BPM | ||
| Wishing Upon the Stars | Infinity Nikki, FoldEcho | B Major | 2 | 1B | 144 BPM | ||
| 比屋定の決意 | Nobuaki Nobusawa | B♭ Major | 2 | 6B | 73 BPM | ||
| 親愛なるシンア/Dear, Blue Dragon | 양방언 | D Minor | 1 | 7A | 153 BPM | ||
| 友人A | Masaru Yokoyama | F Major | 1 | 7B | 109 BPM | ||
| The Ancient Magus Bride's Main Theme | Junichi Matsumoto | B Minor | 4 | 10A | 84 BPM | ||
| 魔女の花 | Takatsugu Muramatsu | G Major | 1 | 9B | 140 BPM | ||
| 走るために | Kenji Kawai | C Major | 3 | 8B | 144 BPM | ||
| Nocturne of Amestris -Duet- | Akira Senju | F Major | 0 | 7B | 92 BPM | ||
| Balsam -Succession- | 神前 暁 | G Major | 6 | 9B | 200 BPM | ||
| Kiyoka and Miyo - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団 | F Minor | 3 | 4A | 79 BPM | ||
| Songweaver of the Night | Wuthering Waves, jixwang | B♭ Major | 2 | 6B | 95 BPM | ||
| Shinpitekina | Hinako Tsubakiyama | D Minor | 1 | 7A | 95 BPM | ||
| Blurred Distance | Chamber Chu | B♭ Minor | 1 | 3A | 100 BPM |