The Mavericks's ' "Come Unto Me" was released on its scheduled release date, January 1, 2013. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Mavericks's "In Time" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Come Unto Me is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Come Unto Me by The Mavericks to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Think Of Me (When You're Lonely) | The Mavericks | A Major | 8 | 11B | 141 BPM | ||
| You Don't Scare Me | Whitney Rose | A Major | 6 | 11B | 114 BPM | ||
| Hammer of the Honky-tonk Gods | Bill Kirchen | D♭ Major | 9 | 3B | 96 BPM | ||
| Sixteen Tons | Eric Burdon | F Minor | 7 | 4A | 71 BPM | ||
| Devil's Load | Tom Wilson, Lee Harvey Osmond | G Major | 6 | 9B | 96 BPM | ||
| Harlem Boogie | Russell Ballantine | A Major | 7 | 11B | 87 BPM | ||
| Angel Dance | Robert Plant | F Major | 8 | 7B | 167 BPM | ||
| Things Will Never Be The Same | Sam Lewis | B♭ Major | 8 | 6B | 123 BPM | ||
| Cry over You | Tami Neilson | E Minor | 6 | 9A | 128 BPM | ||
| Recuerdos | The Mavericks | B♭ Minor | 8 | 3A | 113 BPM | ||
| Six Months Married | Tami Neilson, Jay Neilson | A Major | 6 | 11B | 128 BPM | ||
| Ways And Means | The Reverend Peyton's Big Damn Band | F♯ Minor | 8 | 11A | 170 BPM | ||
| Better to My Baby | Whitney Rose | B♭ Major | 8 | 6B | 117 BPM | ||
| The Calypsonians | Taj Mahal | B Minor | 3 | 10A | 125 BPM | ||
| Love Don't Love Nobody | Rosie Flores | A Major | 7 | 11B | 128 BPM | ||
| You Did (Bomp Shooby Dooby Bomp) | Chuck Prophet | A Minor | 7 | 8A | 86 BPM | ||
| Vitta Bella | Oscar Benton | G Major | 5 | 9B | 130 BPM | ||
| Are You Sure Hank Done It This Way | The Mavericks | F Major | 7 | 7B | 111 BPM | ||
| Far Away | Mel Parsons | C Minor | 7 | 5A | 118 BPM | ||
| Wake The Dead | Chuck Prophet | A Minor | 6 | 8A | 91 BPM | ||
| House Of Bamboo | Southern Culture on the Skids | G Major | 7 | 9B | 157 BPM | ||
| Cadillac Walk | Boz Scaggs | D Major | 7 | 10B | 77 BPM | ||
| Mr. Mystery | Tia Brazda | E Minor | 7 | 9A | 95 BPM | ||
| Texas Boogie | Dale Watson | G Major | 9 | 9B | 186 BPM | ||
| Can’t Let Go | Robert Plant, Alison Krauss | B♭ Minor | 8 | 3A | 90 BPM |