Fernando Sor, Nicholas Goluses's ' "Lecon, Op. 60: No. 22 in E Minor" was released on its scheduled release date, March 26, 1996. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Sor: 25 Progressive Studies, Op. 60 / Fantaisie Elegiaque". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Lecon, Op. 60: No. 22 in E Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lecon, Op. 60: No. 22 in E Minor by Fernando Sor, Nicholas Goluses having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alonso de Mudarra : Fantasia (Οue remeda el arpa de Ludovico) | Renata Tarragó | E♭ Major | 2 | 5B | 104 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| Canción del Sundgau - Guarania | Jorge Cardoso | D Major | 1 | 10B | 140 BPM | ||
| Die Lotosblume | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Luis Milán : Tres pavanas | Renata Tarragó | E♭ Major | 1 | 5B | 108 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
| Sanz: Instrucción de Música, Libro II: Marizápalos | Gaspar Sanz, Turibio Santos | A Minor | 1 | 8A | 98 BPM | ||
| Bardenklänge, Op. 13: Unruhe | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 102 BPM | ||
| Towards The Closing Gates | Santiago Kodela | C Major | 2 | 8B | 77 BPM | ||
| Fernando Sor : Estudio en si bemol mayor, no. 23 | Renata Tarragó | B Major | 1 | 1B | 123 BPM | ||
| Serie Americana: I. Preludio | Hector Ayala, Roberto Aussel | D Minor | 2 | 7A | 106 BPM | ||
| Imágenes de Yucatán: II. Paseo Montejo | Julio Cesár Oliva, Cecilio Perera | A Minor | 0 | 8A | 102 BPM | ||
| Carcassi Op.60 N.6 Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 2 | 9B | 83 BPM | ||
| Estudio No. 19 In B Flat Major | Fernando Sor, Christopher Parkening | B♭ Major | 1 | 6B | 140 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 1 | 9B | 115 BPM | ||
| Polish Impressions: V. THE RED APPLE | Marek Pasieczny, Mak Grgic, Mateusz Kowalski | E Minor | 0 | 9A | 134 BPM | ||
| En los Trigales | Joaquín Rodrigo, Heike Matthiesen | C Minor | 0 | 5A | 97 BPM | ||
| ファンダンギーリョ 作品36 | Joaquín Turina, Kazuhito Yamashita | A Major | 3 | 11B | 86 BPM | ||
| Songs of the Hebrides: The Rune of Columcill (Columba of Iona) [arr. P. Galbraith] | Marjorie Kennedy-Fraser, Paul Galbraith | B♭ Major | 2 | 6B | 69 BPM | ||
| Minidanza del siglo XX - Nº 3 | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| Forlorn Hope, P. 2 | John Dowland, Georgi Dimitrov-Jojo | C Minor | 0 | 5A | 97 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | ||
| Lecon, Op. 60: No. 16 in G Major | Fernando Sor, Nicholas Goluses | D Major | 0 | 10B | 99 BPM | ||
| Walton: 5 Bagatelles: No. 4, Lento | William Walton, Carlos Bonell | G Major | 1 | 9B | 115 BPM |