On 1957, the song "Faded Love" was released by Ray Price. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Faded Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sings Heart Songs". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Faded Love is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Faded Love by Ray Price having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let Me Go (Set Me Free) | Johnny Duncan | G Major | 5 | 9B | 125 BPM | ||
| Lily Dale (with Willie Nelson) | Darrell McCall | A Major | 2 | 11B | 108 BPM | ||
| Here Today and Gone Tomorrow (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | C Major | 2 | 8B | 117 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| I'll Call You Charlie (You Call Me Joan) | George Morgan, Marion Worth | G Major | 2 | 9B | 79 BPM | ||
| Alexis from Texas | Red Steagall | E Major | 4 | 12B | 134 BPM | ||
| Murder On Music Row | David Frizzell | A Major | 1 | 11B | 104 BPM | ||
| The Wild Side Of Life | Hank Thompson, Hank Thompson And His Brazos Valley Boys | D Major | 1 | 10B | 116 BPM | ||
| I'm Little But I'm Loud | Little Jimmy Dickens | F♯ Major | 3 | 2B | 110 BPM | ||
| With One Exception | David Houston | B Major | 4 | 1B | 72 BPM | ||
| How I Love Them Old Songs | Carl Smith | C Major | 4 | 8B | 145 BPM | ||
| Baby Baby (I Know You're A Lady) | David Houston | C Major | 4 | 8B | 170 BPM | ||
| Will You Visit Me On Sundays | Charlie Louvin | D Major | 3 | 10B | 106 BPM | ||
| Three Hearts in a Tangle | Roy Drusky | C Major | 3 | 8B | 97 BPM | ||
| San Antonio Rose | Bob Wills | A♭ Major | 4 | 4B | 122 BPM | ||
| Sweet Country Woman | Johnny Duncan | D♭ Major | 3 | 3B | 110 BPM | ||
| Playboy | Wynn Stewart | F Major | 6 | 7B | 127 BPM | ||
| If A Woman Answers (Hang Up The Phone) | Leroy Van Dyke | C Major | 5 | 8B | 138 BPM | ||
| Sweet Thang | Nat Stuckey | G Major | 4 | 9B | 116 BPM | ||
| Forever (And Always) | Lefty Frizzell | C Major | 1 | 8B | 98 BPM | ||
| Heart Over Mind | Ray Price | F♯ Major | 4 | 2B | 131 BPM | ||
| Statue Of A Fool | Jack Greene | B♭ Major | 3 | 6B | 80 BPM | ||
| Neon Rose | Mel Tillis | E♭ Major | 4 | 5B | 147 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM |