田中信昭, 東京混声合唱団, 田中瑤子's '混声合唱とピアノのためのバラード コタンの歌 臼搗き歌' had a release date set for September 23, 1998. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 混声合唱とピアノのためのバラード コタンの歌 臼搗き歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集/湯山 昭 作品集1, so we believe that "混声合唱とピアノのためのバラード コタンの歌 臼搗き歌" is a single. In terms of popularity, 混声合唱とピアノのためのバラード コタンの歌 臼搗き歌 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 混声合唱とピアノのためのバラード コタンの歌 臼搗き歌 by 田中信昭, 東京混声合唱団, 田中瑤子 is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simple Mass: Kyrie | Giovanni Monti, Coro Polifonico Lumina Vocis | F♯ Major | 3 | 2B | 135 BPM | ||
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| Smiles All Around | Halariaa | A Major | 1 | 11B | 81 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| ほらね、(テノール) | まつしたこう, 梅崎英行, 沼田臣矢, 福永一博, ピアノ:山内知子 | D♭ Major | 1 | 3B | 80 BPM | ||
| Concerto for Horn and Orchestra in E-Flat Major, Murray C43: I. Allegro maiestoso | Antonio Rosetti, Radek Baborak, Johannes Moesus | E♭ Major | 0 | 5B | 63 BPM | ||
| 管弦楽のためのラプソディ | 外山雄三, Tadaaki Otaka, Yomiuri Nippon Symphony Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| フォーレ:シチリアーノ (チェロ) | モーリス・ジャンドロン, 岩崎淑 | C Major | 1 | 8B | 131 BPM | ||
| いつくしみ深き(讃美歌第312番) | Charles Crozat Converse, 聖ヶ丘教会聖歌隊, 小島策朗 | F Major | 1 | 7B | 84 BPM | ||
| からたちの花 | 田中信昭, 東京混声合唱団, Hikaru Hayashi | A♭ Major | 1 | 4B | 64 BPM | ||
| Magical Lasso | Minako Akimoto, Yoshiko Nishijima, Andrew Lloyd Webber, Gekidan Shiki Long-Run Cast, Takeshi Yasufuku | B♭ Major | 1 | 6B | 70 BPM | ||
| Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
| Missa Festiva (Agnus Dei) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | F♯ Minor | 1 | 11A | 148 BPM | ||
| 遠い日の歌 [混声三部] | 下田正幸, コール・フロイント | B Major | 1 | 1B | 74 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Mass in C, K.317 "Coronation": 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 73 BPM | ||
| Dóminus pascit me (salmo 22) | Orfeón de Miravalles | D Minor | 1 | 7A | 138 BPM | ||
| 混声合唱のための組曲「蔵王」どっこ沼 | 田中信昭, 東京混声合唱団, 本荘玲子 | D Major | 0 | 10B | 83 BPM | ||
| 混声合唱のための組曲「旅」旅のよろこび | 田中信昭, 東京混声合唱団, 田中瑤子 | D Major | 1 | 10B | 82 BPM | ||
| À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
| 12 Studies for Harp: No. 11 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | F♯ Minor | 0 | 11A | 88 BPM | ||
| The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
| Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM |