"Flushing Meadow" by Christopher Spelman had its release date on November 4, 2022. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 10 in Armageddon Time (Original Motion Picture Soundtrack) by Christopher Spelman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Flushing Meadow's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flushing Meadow by Christopher Spelman is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Think He's Hurting Himself | Aaron May, David Ridley | C Minor | 0 | 5A | 86 BPM | ||
| Master Trackers | Kevin Smuts | C Major | 1 | 8B | 107 BPM | ||
| Mortar | Hildur Guðnadóttir, London Contemporary Orchestra | F Minor | 4 | 4A | 90 BPM | ||
| You Gain Something Too | Christopher Bear, Daniel Rossen | A Minor | 6 | 8A | 77 BPM | ||
| Solitary People | Trent Reznor and Atticus Ross | B Major | 0 | 1B | 72 BPM | ||
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM | ||
| In My Breath Again | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Waiting for Tim | Paul Leonard-Morgan | A Minor | 0 | 8A | 180 BPM | ||
| Spirals | Hanan Townshend | D Major | 2 | 10B | 81 BPM | ||
| Intro | Emile Mosseri | D♭ Major | 2 | 3B | 74 BPM | ||
| Recordings | Park Jiha, Oliver Coates | B Minor | 2 | 10A | 86 BPM | ||
| Fake Tears (From "The Curse" Soundtrack) | John Medeski | F Major | 2 | 7B | 112 BPM | ||
| Mizuiro Memory (A.I. Version) | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Piano One | Jon Brion | C Major | 0 | 8B | 109 BPM | ||
| I Am Your Nightmare | Owen Pallett | A Major | 1 | 11B | 84 BPM | ||
| In the World of My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Slightly Bad Form | Anthony Willis, London Contemporary Orchestra | A Minor | 0 | 8A | 78 BPM | ||
| Camp | Ben Salisbury, Geoff Barrow | D Major | 1 | 10B | 63 BPM | ||
| In Plain Sight | Celia Hollander | D♭ Major | 1 | 3B | 75 BPM | ||
| Love Unconditionally | Dan Romer | F Minor | 1 | 4A | 74 BPM | ||
| Ghosts of Things to Come | Clint Mansell, Kronos Quartet | D Major | 0 | 10B | 84 BPM | ||
| Romance Begins | Anne Nikitin | A Minor | 1 | 8A | 87 BPM | ||
| Part 3.4 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 0 | 8B | 0 BPM | ||
| Lung - slowed + reverb | Vines | E♭ Major | 1 | 5B | 61 BPM | ||
| In My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM |