"La Rondine: Chi il bel sogno di Doretta" by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma had its release date on February 1, 2014. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La Rondine: Chi il bel sogno di Doretta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Voice of Leontyne Price". In this album, this song's track order is #10. La Rondine: Chi il bel sogno di Doretta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Rondine: Chi il bel sogno di Doretta by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
| Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
| Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| Tosca, Act I: Scene and Chorus. "Tre sbirri" (Tosca) | Luigi Illica, Giuseppe Giacosa, Giacomo Puccini, Stoyan Popov, Sofia Philharmonic Orchestra, Bulgarian National Choir, Georgi Robev | D♭ Major | 2 | 3B | 90 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Pinkerton, Butterfly, Goro) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 1 | 7A | 117 BPM | ||
| La Rondine, Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Giuseppe Adami, Antoinette Halloran, Queensland Symphony Orchestra, Stephen Mould | D♭ Major | 2 | 3B | 90 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
| Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
| Così fan tutte, K. 588 / Act I: "Ah, guarda, sorella" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | ||
| Tosca / Act I: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 132 BPM | ||
| Caro mio ben | Tommaso Giordani, Cecilia Bartoli, György Fischer | E♭ Major | 0 | 5B | 74 BPM | ||
| Don Giovanni, K. 527, Act II: No. 18, Vedrai, carino | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Die tote stadt: Act I: Glück, das mir verblieb (Marietta's Lied) | Erich Wolfgang Korngold, Leontyne Price, Nello Santi | B♭ Major | 2 | 6B | 78 BPM | ||
| Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B Major | 2 | 1B | 170 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | A Major | 2 | 11B | 123 BPM | ||
| A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
| Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
| La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
| Mefistofele, Prologue: T'è noto Faust? | Arrigo Boito, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 1 | 8B | 89 BPM |