"Blessed City, Heavenly Salem" by Edward Bairstow, Ripon Cathedral Choir, Ronny Krippner, Tim Harper had its release date on December 19, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ripon Cathedral Choir, Ronny Krippner's "Glorius Kingdom: Anthems from Ripon Cathedral" album is number 11 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Blessed City, Heavenly Salem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blessed City, Heavenly Salem by Edward Bairstow, Ripon Cathedral Choir, Ronny Krippner, Tim Harper to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
| Missa Aeterna Christi munera: IV. Sanctus & Benedictus | Giovanni Pierluigi da Palestrina, James O'Donnell, Westminster Cathedral Choir | C Minor | 1 | 5A | 81 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Psalm CXLVIII | Thomas Attwood Walmisley, Michael Bloss, Choir of St John's, Elora, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Organ Sonata in E-Flat Major: I. Andante serioso, ma con moto | Edward Bairstow, Daniel Cook | A♭ Major | 0 | 4B | 67 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| To Thee, Our Champion Leader | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | A Major | 3 | 11B | 81 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| Psalm 19: The Heaven declare the glory of God | Edward Hopkins, The Choir Of Westminster Abbey, Martin Neary | B Major | 1 | 1B | 84 BPM | ||
| Venite | Samuel Arnold, The Choir of York Minster, David Pipe, Robert Sharpe | B♭ Major | 1 | 6B | 77 BPM | ||
| Inventions for Choir: No. 1, Anywhere | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| The Passing of the Year: No. 5, Ah, Sun-flower! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | A Minor | 0 | 8A | 69 BPM | ||
| As Many as Have Been Baptized | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E Minor | 1 | 9A | 82 BPM | ||
| Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | B♭ Major | 2 | 6B | 88 BPM | ||
| Psalm 29: Bring unto the Lord, O ye mighty | Henry Thomas Smart, The Choir Of Westminster Abbey, Martin Neary | A Major | 1 | 11B | 77 BPM | ||
| Brother James's Air | London Philharmonic Choir | D Major | 1 | 10B | 64 BPM | ||
| O come and mourn with me awhile (St Cross) | J. B. Dykes, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey | D Minor | 1 | 7A | 138 BPM | ||
| St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | ||
| Come, Lord | Margaret Rizza, Kevin Mayhew Ltd | G Major | 2 | 9B | 62 BPM | ||
| Prelude, Elegy & Toccata-Prelude: I. Prelude on "Vexilla regis" | Edward Bairstow, Daniel Cook | C Minor | 0 | 5A | 84 BPM | ||
| Wolvercote "O Jesus, I Have Promised" | William Harold Ferguson, The Choir of Christ's College, Cambridge, Alexandra Jobling, David Rowland | B♭ Major | 2 | 6B | 88 BPM | ||
| Praise, My Soul the King of Heaven: Praise, my soul, the King of Heaven | John Goss, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 1 | 10B | 83 BPM | ||
| Organ Sonata in E-Flat Major: II. Allegro giocoso | Edward Bairstow, Graham Barber | E♭ Major | 0 | 5B | 71 BPM |