"Tomorrow Never Comes" by Datascape had its release date on September 13, 2014. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Breaking Point: Alternative Rock Songs by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Tomorrow Never Comes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tomorrow Never Comes by Datascape is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prison of Decay | Chaotica | B Minor | 10 | 10A | 162 BPM | ||
| Bad Luck Charm | Jeff Williams | A Major | 8 | 11B | 92 BPM | ||
| Shadow Horizon | Rabbit Junk | G Major | 10 | 9B | 170 BPM | ||
| Lost Chance | Jay Ray, Paul Udarov | D Minor | 10 | 7A | 165 BPM | ||
| Darker Side of Me | Fivefold | D Minor | 10 | 7A | 159 BPM | ||
| Whiskey & Ritalin | Fair To Midland | F♯ Major | 10 | 2B | 101 BPM | ||
| Wasteland | EarlyRise | D Minor | 9 | 7A | 160 BPM | ||
| Turbogenerator | Shadow Domain | F Minor | 9 | 4A | 162 BPM | ||
| A Place to Call Home | Season of Ghosts | F Minor | 10 | 4A | 170 BPM | ||
| King Vultures | Jay Ray | F Minor | 10 | 4A | 110 BPM | ||
| Death and Conversation | Manic Bloom | C Minor | 8 | 5A | 152 BPM | ||
| Out of Control | Nothing’s Carved In Stone | D Minor | 10 | 7A | 140 BPM | ||
| Venom | RTPN | D♭ Minor | 8 | 12A | 189 BPM | ||
| Headstone | Djerv | F♯ Major | 8 | 2B | 140 BPM | ||
| Crimson Cloud | Jeff Rona | D♭ Major | 5 | 3B | 82 BPM | ||
| This Will Be the Day | Jeff Williams, Casey Lee Williams | D Minor | 9 | 7A | 95 BPM | ||
| The Fall | Blue Stahli | F♯ Major | 9 | 2B | 94 BPM | ||
| End of an Empire | Celldweller | G Major | 9 | 9B | 175 BPM | ||
| Belgrade | Battle Tapes | E Major | 10 | 12B | 130 BPM | ||
| Sirius VI | Blood Stain Child | A♭ Major | 10 | 4B | 100 BPM | ||
| Come to Light (Arknights Soundtrack) [feat. Casey Lee Williams] | Jeff Williams, Casey Lee Williams | A Minor | 8 | 8A | 79 BPM | ||
| Destroyer | NUTRONIC | D Major | 9 | 10B | 174 BPM | ||
| Let it die | Survive Said The Prophet | C Minor | 9 | 5A | 158 BPM | ||
| HEAVY DAY | Daisuke Ishiwatari, Naoki Hashimoto | C Major | 9 | 8B | 172 BPM | ||
| UNDER/SHAFT | 黒崎真音 | C Minor | 10 | 5A | 165 BPM |