"Fire" by Ryuichi Sakamoto had its release date on July 30, 2021. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Fire's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ryuichi Sakamoto's "Minamata (Original Motion Picture Soundtrack)" album is number 13 out of 22. On top of that, United States appears to be the country where this track was created. Fire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fire by Ryuichi Sakamoto to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| すずのテーマ~海へ | Yoko Kanno | E♭ Major | 1 | 5B | 86 BPM | ||
| And She Came Home - Strings Version | James Heather | C Minor | 1 | 5A | 66 BPM | ||
| Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
| Ryuichi Sakamoto: Andata | Helena Basilova | A♭ Minor | 1 | 1A | 68 BPM | ||
| Love Song (After JE) | Max Richter | F Minor | 1 | 4A | 99 BPM | ||
| 一対の宝玉 | Marihiko Hara | C Minor | 1 | 5A | 82 BPM | ||
| Drive My Car (Misaki) | Eiko Ishibashi | B Major | 2 | 1B | 129 BPM | ||
| Rikka | MEITEI | F♯ Major | 7 | 2B | 113 BPM | ||
| Written on the Sky | Max Richter | B♭ Minor | 1 | 3A | 136 BPM | ||
| Kaleido Dust | Olfy | C Major | 0 | 8B | 74 BPM | ||
| Before Long | Ryuichi Sakamoto | C Major | 0 | 8B | 76 BPM | ||
| Wounds Unseen | Maya | E♭ Minor | 0 | 2A | 79 BPM | ||
| 가을의 뒷뜰 | Jung Jae Hyung | F Major | 0 | 7B | 125 BPM | ||
| Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
| 美しき日々 | Takashi Kako | A Minor | 1 | 8A | 78 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| Good Morning, Midnight | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 94 BPM | ||
| sanbika | Miu Sakamoto, Marihiko Hara | B♭ Major | 1 | 6B | 73 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| The Deadline | Olivia Watso | B♭ Major | 1 | 6B | 52 BPM | ||
| 夢二のテーマ | Shigeru Umebayashi | C Minor | 2 | 5A | 129 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| Still City | 江﨑文武 | E Minor | 2 | 9A | 139 BPM | ||
| Peace Piece | Bill Evans | C Major | 0 | 8B | 133 BPM | ||
| Our Own Roof | Nils Frahm | B♭ Minor | 1 | 3A | 53 BPM |