"All That Is Left" by Fiona Joy Hawkins had its release date on July 7, 2020. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Fiona Joy Hawkins's "Moving Through Worlds" album is number 4 out of 14. On top of that, Australia appears to be the country where this track was created. In terms of popularity, All That Is Left is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All That Is Left by Fiona Joy Hawkins to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devotion of the Heart | Chester Tan | A Major | 2 | 11B | 116 BPM | ||
| Remembering the Light | Kevin Kern | B♭ Major | 0 | 6B | 112 BPM | ||
| Reflections of Love | Hilary Stagg | A Minor | 4 | 8A | 120 BPM | ||
| Mother’s Heart | Alfonso Gugliucci | G Major | 1 | 9B | 140 BPM | ||
| Myenlora | Potravel | F Major | 2 | 7B | 184 BPM | ||
| The Sand between My Toes | Wayne Gratz | E♭ Major | 0 | 5B | 85 BPM | ||
| Where Wishes Come True | Gandalf | G Minor | 1 | 6A | 67 BPM | ||
| The Wind Pearl | John Adorney | D Major | 2 | 10B | 188 BPM | ||
| Fields of Gold | Kevin Kern | A Major | 1 | 11B | 178 BPM | ||
| Vila | SOULNOTEX | G Minor | 1 | 6A | 87 BPM | ||
| Shadows in the Rainlight | Luma Shore | B♭ Major | 2 | 6B | 121 BPM | ||
| Waking | Michael Allen Harrison | C Major | 2 | 8B | 120 BPM | ||
| Poignant Memory | Bernward Koch | C Major | 2 | 8B | 72 BPM | ||
| Winter | Michael Gettel | A Major | 2 | 11B | 120 BPM | ||
| Prelude to Love | Hilary Stagg | B♭ Major | 2 | 6B | 73 BPM | ||
| The Water Is Wider | Daniel Kobialka | C Major | 1 | 8B | 177 BPM | ||
| A Thousand Smiles | William Ellwood | A♭ Minor | 3 | 1A | 84 BPM | ||
| Signature | Fiona Joy Hawkins, Will Ackerman, Paul Jarman | A Minor | 1 | 8A | 80 BPM | ||
| Wildflowers | Stanton Lanier | D Major | 2 | 10B | 98 BPM | ||
| My Soul Silently Waits | Stanton Lanier | F♯ Major | 1 | 2B | 105 BPM | ||
| Oh How Lovely Is The Evening | Daniel Kobialka | D Major | 1 | 10B | 91 BPM | ||
| Lake EWOK Muse (Piano & Cello) | Karen Marie Garrett | D Major | 0 | 10B | 74 BPM | ||
| Prelude To A Journey Home | Marshall Styler | F Minor | 2 | 4A | 86 BPM | ||
| Música Suave Para Descansar | Musica Para Dormir Bien | G Major | 0 | 9B | 69 BPM | ||
| True Passion | Robert Haig Coxon | E♭ Major | 1 | 5B | 69 BPM |