"I Shall Not Live in Vain" by Jake Heggie, Scot Weir, Jan Czajkowski had its release date on July 1, 2010. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What Shall We Remember? by Scot Weir. The song's track number on the album is #1 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, I Shall Not Live in Vain's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I Shall Not Live in Vain by Jake Heggie, Scot Weir, Jan Czajkowski has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With I Shall Not Live in Vain being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Villa-Lobos: Melodia sentimental | Heitor Villa-Lobos, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Canteloube: Chants d'Auvergne, Series 3: No. 15, Brezairola | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux | B♭ Major | 0 | 6B | 101 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Johnson: Woods, Rocks and Mountains | Robert Johnson, Emma Kirkby, Anthony Rooley | F Minor | 1 | 4A | 73 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D Minor | 1 | 7A | 93 BPM | ||
| Intelligence, Act Two: Scene 4, Midnight outside the Van Lew Mansion | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Michael Mayes, Nicholas Newton, Joshua Blue | D♭ Major | 2 | 3B | 141 BPM | ||
| Un ballo in maschera, Act II: Seguitemi - Ve', se di notte | Giuseppe Verdi, Renato Bruson, Katia Ricciarelli, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Rigoletto, Act I: Ah, veglia, o donna, questo fiore | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Eglė Šidlauskaitė, Francesco Demuro, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Peter Grimes, Op.33 / Act 1: "Hi! Give Us a Hand" | Benjamin Britten, Sir Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 2 | 5B | 133 BPM | ||
| Four Songs: My true love hath my heart | Jake Heggie, Lisa Delan, Susanne Mentzer, Kristin Pankonin, Matt Haimovitz | E Major | 2 | 12B | 81 BPM | ||
| La Wally: Acto I: "Ebbene, ne Andró Lontana" | Victoria de los Ángeles | E Minor | 2 | 9A | 83 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D Minor | 1 | 7A | 93 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
| Three Decembers: Act 2: Aria - Bea | Jake Heggie, Gene Scheer, Jake Hegge; Gene Scheer, Houston Grand Opera, Patrick Summers | A♭ Minor | 1 | 1A | 146 BPM | ||
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| Songs to the Moon: Once More - To Gloriana | Jake Heggie, Frederica von Stade | G Major | 0 | 9B | 75 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM |