"Roll The Tire" by Elmer Bernstein had its release date on February 2, 1991. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Roll The Tire's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "To Kill A Mockingbird". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Roll The Tire is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Roll The Tire by Elmer Bernstein having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude - Main Title | Miklós Rózsa | D♭ Major | 3 | 3B | 135 BPM | ||
| King Kong (reconstructed J. Morgan): Main Title | Max Steiner, John Morgan, Moscow Symphony Orchestra, William Stromberg | E Minor | 4 | 9A | 82 BPM | ||
| Main Title | Elmer Bernstein | E♭ Major | 4 | 5B | 119 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| Theme from Mystic River | Clint Eastwood | F Major | 0 | 7B | 131 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| Escape (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Major | 2 | 1B | 105 BPM | ||
| Indiana Jones and the Temple of Doom | Royal Philharmonic Orchestra | B♭ Major | 6 | 6B | 176 BPM | ||
| The Street (Main Title) - From “Sweet Smell Of Success” Soundtrack | Elmer Bernstein | C Major | 4 | 8B | 114 BPM | ||
| The Factory Machine | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Love Theme | Miklós Rózsa | C Minor | 0 | 5A | 87 BPM | ||
| Main Title - The Dish | Edmund Choi | D Major | 1 | 10B | 81 BPM | ||
| The Kidnap And The Quarry | George Fenton | E Minor | 7 | 9A | 93 BPM | ||
| Theme from "The Avengers" | The Laurie Johnson Orchestra | D Minor | 7 | 7A | 137 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM | ||
| Moscow, 1953 | Christopher Willis | F Major | 3 | 7B | 100 BPM | ||
| Finale and Curtain Call | Joe Kraemer | G Minor | 2 | 6A | 123 BPM | ||
| Remember Mama | Elmer Bernstein | D Major | 0 | 10B | 81 BPM | ||
| Father Brown (From "Father Brown") | Debbie Wiseman, The Orchestra of the Guildhall School | G Minor | 2 | 6A | 116 BPM | ||
| Olympic Fanfare & Theme | Dallas Winds, Jerry Junkin | C Major | 2 | 8B | 86 BPM | ||
| Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM |