"LaBelle Opera" by Carlos Rafael Rivera had its release date on July 6, 2018. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. LaBelle Opera's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlos Rafael Rivera's "Godless (Original Music from the Netflix Series)" album is number 26 out of 29. LaBelle Opera is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of LaBelle Opera by Carlos Rafael Rivera to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Elisabeth or no other | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Henriette | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | B♭ Minor | 2 | 3A | 121 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| The Gilded Age (Main Title Theme) | Harry Gregson-Williams, Rupert Gregson-Williams | E♭ Major | 5 | 5B | 90 BPM | ||
| No matamos prisioneros | Manel Santisteban, Iván M. Lacámara | A Minor | 6 | 8A | 117 BPM | ||
| And You Will Come | Anne Nikitin | F Minor | 1 | 4A | 123 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Robin Speaks | Marc Streitenfeld | D Major | 1 | 10B | 79 BPM | ||
| The Anatomy of a Memory | Hannes De Maeyer | F♯ Minor | 0 | 11A | 131 BPM | ||
| Burying the Dead and Identifying Bodies | John Debney | C Major | 1 | 8B | 143 BPM | ||
| I Will Return | Atli Örvarsson | A Minor | 3 | 8A | 72 BPM | ||
| Imperial Couple | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| D'Artagnan et Constance | Guillaume Roussel | C Major | 2 | 8B | 80 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| A Compulsion | Thomas Farnon | F Major | 2 | 7B | 115 BPM | ||
| Dear Mr. Killian | Steven Price | E Major | 2 | 12B | 121 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| The Anointing | Rupert Gregson-Williams | D Minor | 0 | 7A | 58 BPM | ||
| James Runs | Johan Söderqvist | B Minor | 3 | 10A | 79 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| La Escuela | Fernando Velázquez | B♭ Major | 0 | 6B | 137 BPM | ||
| Returning To Methuen | Carlos Rafael Rivera | C Major | 0 | 8B | 69 BPM |