"Hostas" by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra had its release date on 2009. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. This song is part of Verdi Requiem by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra. The song's track number on the album is #2 out of 16 tracks. Hostas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hostas by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hostas being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
| Offenbach: Orphée aux enfers, Act 2: Chœur infernal. "Vive le vin ! Vive Pluton !" (Chœur) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 4 | 8B | 87 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Der Freischütz, J. 277, Act III: Einst träumte meiner sel'gen Base - Trübe Augen, Liebchen, taugen | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 86 BPM | ||
| Faust, CG 4 (1864 Version) [Excerpts]: Il était temps ! | Charles Gounod, Carlo Colombara, Rijeka Opera Symphony Orchestra, Ville Matvejeff | C Major | 1 | 8B | 64 BPM | ||
| Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
| Carmina Burana: XX. Veni, veni, venias | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 6 | 7B | 152 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "À deux cuartos ! À deux cuartos !" (Chœur, Zuñiga, Une marchande, Un bohémien) | Georges Bizet, Michel Plasson, Anne Gotkovsky, Didier Chevalier, Les Éléments, Nicolas Cavallier, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Der Freischütz, J. 277, Act II: Wie? Was? Entsetzen! | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 80 BPM | ||
| Carmina Burana: XIII. Ego sum abbas | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | ||
| Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic, Sir Charles Mackerras | B♭ Major | 6 | 6B | 100 BPM | ||
| Carmina Burana: IV. Omnia sol temperat | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | G Minor | 0 | 6A | 79 BPM | ||
| Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
| Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
| Bellini: La sonnambula, Act 1: "O ciel! che tento?" (Rodolfo, Amina) | Vincenzo Bellini, Evelino Pidò, Carlo Colombara, Natalie Dessay, Orchestre de l'Opéra de Lyon | B♭ Major | 2 | 6B | 67 BPM | ||
| Messa di Gloria, Op.posth., Credo: Credo in unum Deum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 1 | 5A | 135 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Gloria sit Patri Domino | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 6 | 5B | 132 BPM | ||
| La Sonnambula, Act I, Scene 2: Davver, non mi dispiace (Rodolfo/Lisa/Amina) | Vincenzo Bellini, Evelino Pidò/Natalie Dessay/Carlo Colombara/Jaël Azzaretti/Orchestre de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 67 BPM | ||
| Messa da Requiem: 2c. Liber scriptus | Giuseppe Verdi, Olga Borodina, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 76 BPM | ||
| Carmina Burana: Stetit puella | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B Minor | 0 | 10A | 84 BPM | ||
| Puccini: Turandot, Act 1: "Gira la cote!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
| Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Otello: Fuoco di gioia | Giuseppe Verdi, Oviedo Filarmonía, Friedrich Haider, Orfeon Donostiarra, Los Peques del León de Oro | E Minor | 1 | 9A | 129 BPM |