"Construction Begins" by Brian Ralston, Hollywood Studio Symphony Orchestra had its release date on August 6, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 33 in Crooked Arrows (Original Score) by Brian Ralston. In terms of popularity, Construction Begins is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Construction Begins by Brian Ralston, Hollywood Studio Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farewell To Peter | Natalie MacMaster | F Major | 2 | 7B | 146 BPM | ||
| Doxology old Old Hundredth 1554 | Lennyn Montecinos, Soliat | G Major | 1 | 9B | 155 BPM | ||
| Oidhche Mhath | Athol McGregor | F Major | 0 | 7B | 107 BPM | ||
| Twilight on King's Cross Bridge | Ekofola | E Major | 4 | 12B | 138 BPM | ||
| Wind of the Western Sea | Bill Douglas | A♭ Major | 2 | 4B | 78 BPM | ||
| Warm Embrace | Rhett ShawcroftStudio | C Minor | 0 | 5A | 93 BPM | ||
| Come, thou almighty king 1769 | Lennyn Montecinos, Soliat | G Major | 1 | 9B | 81 BPM | ||
| Gentle Cello Music for Sleep and Calm | Moonvale Sleep Factory | G Major | 1 | 9B | 89 BPM | ||
| Toad Path | Terry Davies, Betty O'Barley, Harry O'Hay | G Major | 3 | 9B | 118 BPM | ||
| Those Who Came Before | Tim Heintz, Charlie Bisharat | F Major | 5 | 7B | 122 BPM | ||
| Ocean Lullaby | DJ Bismal RD | C Minor | 0 | 5A | 80 BPM | ||
| Roscoe's Waterfall | Jay Ungar, Molly Mason | D Major | 1 | 10B | 74 BPM | ||
| Bi Thus a Mo Shúile | Maire Brennan | C Major | 1 | 8B | 68 BPM | ||
| My Soul Thirsts | Rav Daniel Kohn | D Minor | 1 | 7A | 113 BPM | ||
| The Curiosities Begin | Brian Ralston | A Minor | 2 | 8A | 136 BPM | ||
| Standing Stone | Melanie DeMore, VocalEssence Ensemble Singers, VocalEssence | A♭ Major | 0 | 4B | 105 BPM | ||
| Rubha Nam Marbh | Duncan Chisholm | D Major | 7 | 10B | 112 BPM | ||
| I Can't Make You Love Me | Natalie MacMaster | F Major | 2 | 7B | 130 BPM | ||
| How to Hold On | Melanie DeMore, VocalEssence Ensemble Singers, VocalEssence | C Minor | 0 | 5A | 133 BPM | ||
| Homeward Bound | Celtic Consort | E Major | 2 | 12B | 113 BPM | ||
| Sleepers Awake | Northern Lights | G Major | 1 | 9B | 120 BPM | ||
| Come By the Hills | Joanie Madden | F♯ Minor | 4 | 11A | 88 BPM | ||
| The Bricklayer's Beautiful Daughter | Will Ackerman | A♭ Major | 1 | 4B | 146 BPM | ||
| Aisling Gheal | Liam O'Flynn | B Major | 1 | 1B | 145 BPM | ||
| Whiteout | Erwilian | G Major | 6 | 9B | 132 BPM |