"Cinderellas Mouth Tastes Like Chicken" by Medea Rising had its release date on November 18, 2010. Cinderellas Mouth Tastes Like Chicken is explicit and may not be suitable for children. With the duration being about 4:00, this song is close to the average duration of a typical track. This song is part of We Were Never Meant to Be by Medea Rising. The song's track number on the album is #3 out of 10 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Cinderellas Mouth Tastes Like Chicken is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cinderellas Mouth Tastes Like Chicken by Medea Rising has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cinderellas Mouth Tastes Like Chicken being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aim at the eyes of gohma | kip dynamite | D♭ Major | 9 | 3B | 125 BPM | ||
| State Of Decay | Rose Funeral | B Minor | 10 | 10A | 91 BPM | ||
| To All Things Expendable | My Bitter End | D Major | 9 | 10B | 110 BPM | ||
| Summoning The Lord Of The Pit | A Breath Before Surfacing | G Major | 10 | 9B | 130 BPM | ||
| Dead To Reform | Knights Of The Abyss | F Major | 10 | 7B | 109 BPM | ||
| Truth Be Told | Her Demise My Rise | B♭ Minor | 10 | 3A | 165 BPM | ||
| Prosthetic Erection | Annotations Of An Autopsy | F♯ Major | 8 | 2B | 131 BPM | ||
| Comfortable With Corpses | My Bitter End | F♯ Minor | 10 | 11A | 96 BPM | ||
| Thus, It Begins... - 2024 Remaster | On Solid Ground | B Major | 7 | 1B | 101 BPM | ||
| Your Broad Is Interrupted | Whisteria Cottage | D♭ Minor | 10 | 12A | 129 BPM | ||
| Heres The Gun, Priest | VICTIMBLAMED | B Minor | 8 | 10A | 135 BPM | ||
| Trash Can Alley | King Conquer | B Minor | 10 | 10A | 120 BPM | ||
| Lacerating Stones With Origami Scissors | Ennui Breathes Malice | B Major | 10 | 1B | 105 BPM | ||
| Divine Intervention | JEROME | F Major | 10 | 7B | 93 BPM | ||
| Kneel Before None | Float Face Down | A Minor | 9 | 8A | 120 BPM | ||
| Gods Hideous Creation | Rose Funeral | E Major | 10 | 12B | 115 BPM | ||
| Plague of Suffering | Demolisher | A Minor | 10 | 8A | 125 BPM | ||
| Remain In Dirt | Rose Funeral | A♭ Major | 8 | 4B | 111 BPM | ||
| Anterograde Amnesia | Murder in Greenwich | D Major | 0 | 10B | 75 BPM | ||
| Left To Rot | Rose Funeral | D♭ Major | 9 | 3B | 108 BPM | ||
| A Gun A Guy A Liar | Spider Killed Bananaman | D♭ Minor | 8 | 12A | 111 BPM | ||
| Under a Killing Moonlight - A Fire Is Awakening | From The Shallows | F Major | 10 | 7B | 90 BPM | ||
| The Conformist | Salt The Wound | B♭ Minor | 10 | 3A | 154 BPM | ||
| My Hororscope Just Reads "Doom" | Hester Prynne | F♯ Major | 9 | 2B | 64 BPM | ||
| The Gage Lanza Tapdance Extravaganza | Thus Spoke Zarathustra | B♭ Minor | 7 | 3A | 200 BPM |