The Matches's 'The Barbers Unhappiness' had a release date set for September 19, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 13 in Decomposer by The Matches. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Barbers Unhappiness's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Barbers Unhappiness by The Matches is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the few that remain | Set Your Goals | A♭ Major | 10 | 4B | 158 BPM | ||
| Every Man has a Molly | Say Anything | A Major | 9 | 11B | 122 BPM | ||
| Salty Eyes | The Matches | B♭ Major | 5 | 6B | 109 BPM | ||
| Life of a Match | The Matches | C Major | 7 | 8B | 79 BPM | ||
| Hate Every Beautiful Day | Sugarcult | D Major | 6 | 10B | 170 BPM | ||
| The Stalker | Piebald | G Major | 8 | 9B | 139 BPM | ||
| I Can Barely Breathe | Just Surrender | B♭ Minor | 10 | 3A | 145 BPM | ||
| Mass Pike | The Get Up Kids | D Major | 9 | 10B | 124 BPM | ||
| Twenty Below | Hidden In Plain View | G Major | 9 | 9B | 102 BPM | ||
| Becoming A Monster | Self Against City | D Major | 9 | 10B | 138 BPM | ||
| Audio Blood | The Matches | A Major | 10 | 11B | 128 BPM | ||
| If I Could Make You Do Things | Two Tongues | F♯ Major | 8 | 2B | 133 BPM | ||
| Picture Perfect Wannabe | Denver Harbor | A♭ Major | 10 | 4B | 95 BPM | ||
| Montauk | Bayside | B Minor | 9 | 10A | 175 BPM | ||
| We've Got a Big Mess on Our Hands | The Academy Is... | E Major | 9 | 12B | 101 BPM | ||
| Space | Something Corporate | B Minor | 8 | 10A | 125 BPM | ||
| Little Maggots | The Matches | B Major | 10 | 1B | 93 BPM | ||
| Caving | Reggie And The Full Effect | C Major | 9 | 8B | 117 BPM | ||
| Oh, Goddamnit | Hot Hot Heat | B Major | 9 | 1B | 127 BPM | ||
| Jaded (These Years) (feat. Benji Madden) | Mest, Benji Madden | A Major | 8 | 11B | 103 BPM | ||
| Flight 601 (All I've Got Is Time) | Fenix TX | E Major | 10 | 12B | 100 BPM | ||
| God | Head Automatica | D♭ Major | 10 | 3B | 142 BPM | ||
| Up And Go | The Starting Line | D♭ Minor | 8 | 12A | 85 BPM | ||
| Honestly | Cartel | D♭ Major | 9 | 3B | 145 BPM | ||
| Heart Transplant | Punchline | B Major | 9 | 1B | 102 BPM |