Between The Buried And Me's ' "Backwards Marathon" was released on its scheduled release date, September 6, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 11 in Alaska by Between The Buried And Me. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Backwards Marathon is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Backwards Marathon by Between The Buried And Me is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Cut Was the Deepest | The Tony Danza Tapdance Extravaganza | B Minor | 10 | 10A | 92 BPM | ||
| Black Gold Reign | All Shall Perish | E♭ Minor | 10 | 2A | 110 BPM | ||
| Dead Before I Stray | Into The Moat | B♭ Major | 9 | 6B | 125 BPM | ||
| Treetops | Corelia | C Major | 10 | 8B | 119 BPM | ||
| Tunguska | Darkest Hour | D Minor | 9 | 7A | 108 BPM | ||
| Vela, Together We Await The Storm | The Human Abstract | A♭ Major | 10 | 4B | 140 BPM | ||
| Dead to Me | The Arusha Accord | D♭ Major | 10 | 3B | 82 BPM | ||
| Bone Marrow | Protest The Hero | A♭ Major | 10 | 4B | 168 BPM | ||
| Dilemmachine: Coalition, Hoax | Norma Jean | F♯ Minor | 10 | 11A | 168 BPM | ||
| A Million Exploding Suns | Horse The Band | D Major | 10 | 10B | 123 BPM | ||
| Face:Face | Norma Jean | D♭ Minor | 10 | 12A | 172 BPM | ||
| Digital Veil | The Human Abstract | B♭ Minor | 10 | 3A | 117 BPM | ||
| Forgive Me Snake Ryder | Moon Tooth | D Major | 10 | 10B | 93 BPM | ||
| Axe To Fall | Converge | A♭ Minor | 10 | 1A | 90 BPM | ||
| Legion Of The Serpent | The Faceless | D♭ Major | 9 | 3B | 98 BPM | ||
| Patterns | The Human Abstract | A Minor | 9 | 8A | 180 BPM | ||
| Grotesque | A Life Once Lost | G Major | 10 | 9B | 90 BPM | ||
| Crossing The Rubicon | The Human Abstract | D Minor | 10 | 7A | 175 BPM | ||
| Grandfather | The Number Twelve Looks Like You | B Minor | 9 | 10A | 132 BPM | ||
| The Parable | The Contortionist | B♭ Major | 7 | 6B | 90 BPM | ||
| Evolutionary Sleeper | Cynic | A Minor | 10 | 8A | 125 BPM | ||
| I Don't Mean to Impose but I am the Ocean | The Tony Danza Tapdance Extravaganza | G Minor | 10 | 6A | 119 BPM | ||
| Like a Train Through a Pigeon | The Red Chord | B♭ Minor | 10 | 3A | 87 BPM | ||
| Sets | Car Bomb | D♭ Major | 9 | 3B | 98 BPM | ||
| Japam | Botch | E♭ Major | 8 | 5B | 168 BPM |