Flight Paths's 'Take What You Want' had a release date set for September 28, 2019. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Take What You Want only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Take What You Want's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Take What You Want by Flight Paths having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mistakes | Vitja | E Minor | 9 | 9A | 90 BPM | ||
| In The Name Of Love | Too Close To Touch | D Minor | 9 | 7A | 137 BPM | ||
| Chandelier | Designer Disguise, Alex Pasibe | B Major | 9 | 1B | 174 BPM | ||
| I Don't Want to Miss a Thing | Flight Paths | D Major | 8 | 10B | 121 BPM | ||
| Eastside | Crashing Atlas | B♭ Minor | 8 | 3A | 90 BPM | ||
| Fuck You | Don Vedda | D Major | 9 | 10B | 150 BPM | ||
| Sticks and Stones | Silent Theory | F♯ Major | 10 | 2B | 88 BPM | ||
| Elizabeth - Acoustic | Monument Of A Memory | E♭ Minor | 7 | 2A | 120 BPM | ||
| Somewhere I Belong | ALESTI, Robin Adams, In Deception | B♭ Minor | 10 | 3A | 165 BPM | ||
| White Noise | Archetypes Collide | D♭ Minor | 9 | 12A | 170 BPM | ||
| Cool Kids | Fight The Fade | F Minor | 9 | 4A | 130 BPM | ||
| House of Glass | ALESTI, James Deberg | E Minor | 10 | 9A | 140 BPM | ||
| Torn Apart | The Compromise | F♯ Major | 9 | 2B | 140 BPM | ||
| Starboy | Secret Eyes | A Minor | 10 | 8A | 186 BPM | ||
| Close Encounters | Remember the Monsters | E Minor | 9 | 9A | 100 BPM | ||
| Let Me Love You (feat. Lee Abrecht) | The March Ahead, Lee Abrecht | A♭ Major | 9 | 4B | 100 BPM | ||
| Telephone | Red Handed Denial | F Minor | 9 | 4A | 125 BPM | ||
| Carry on Wayward Son | Awake At Last | C Major | 9 | 8B | 130 BPM | ||
| Find Our Way | Being As An Ocean | B Minor | 8 | 10A | 101 BPM | ||
| Beyond Empty | We Are The Empty | D Major | 9 | 10B | 140 BPM | ||
| Story of My Life | The March Ahead | E♭ Major | 8 | 5B | 121 BPM | ||
| The Panic | Wake Up Hate | B Minor | 9 | 10A | 115 BPM | ||
| Walls of Anxiety | No name faces | C Major | 2 | 8B | 79 BPM | ||
| Death of Me | Tempting Fate | B Minor | 9 | 10A | 166 BPM | ||
| Weight Of The World | Self Deception | A♭ Major | 9 | 4B | 105 BPM |