Bob Patin's ' "When I'm Sixty-Four" was released on its scheduled release date, December 16, 2007. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. When I'm Sixty-Four's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Remembering The Beatles". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, When I'm Sixty-Four's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When I'm Sixty-Four by Bob Patin having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Night We Called It A Day | Beegie Adair | F Minor | 1 | 4A | 69 BPM | ||
| Let It Be Me | Keith Martinson | D Major | 1 | 10B | 115 BPM | ||
| Michelle | Bob Patin | C Minor | 2 | 5A | 104 BPM | ||
| Petali sulla soglia | Dolce Vita | E Minor | 2 | 9A | 129 BPM | ||
| The Sunshine Song | Jay Soto | C Major | 2 | 8B | 122 BPM | ||
| Bruma dorada | Ryzon Sound | A Minor | 3 | 8A | 97 BPM | ||
| An American Song | Jane Leslie | C Major | 0 | 8B | 90 BPM | ||
| Buwan | Silas Moreau | A Minor | 0 | 8A | 129 BPM | ||
| Battements Développés | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Gentle Roast | Monstera Cafe | A Minor | 3 | 8A | 174 BPM | ||
| Unfolding | Michael Schlierf | A Minor | 3 | 8A | 97 BPM | ||
| Aretusa | Alessandro De Angelis | D♭ Major | 1 | 3B | 97 BPM | ||
| Chim Chim Cher-Ee | Michael Allen Harrison | D Minor | 1 | 7A | 110 BPM | ||
| Velvet | Liowh | A Minor | 1 | 8A | 83 BPM | ||
| Something Wonderful (From "The King And I") | Simon Lowy | A Major | 1 | 11B | 109 BPM | ||
| Tonight's Glow | Eleonor Stone | G Major | 2 | 9B | 72 BPM | ||
| 1939 | Mats Bystrom | C Major | 1 | 8B | 170 BPM | ||
| That's the Way It Was | Marc Ferrari, Daniel May | A♭ Major | 2 | 4B | 103 BPM | ||
| Strawberry Streetlights | Bubbly Tea Music | A Minor | 3 | 8A | 97 BPM | ||
| I’ve never been in love before | Bruno Sanders | B♭ Major | 1 | 6B | 108 BPM | ||
| The Water is Wide | Adaury Mothe, Hugo Pilgir | D Major | 1 | 10B | 79 BPM | ||
| Now and Forever | Brian Hagen | C Major | 1 | 8B | 113 BPM | ||
| L'hibou | Coen Molenaar, Myllèrí | D Minor | 2 | 7A | 122 BPM | ||
| Chill Lounge Mornings | John Devson | G Major | 5 | 9B | 95 BPM | ||
| Sous les étoiles | Flav | G Minor | 2 | 6A | 81 BPM |