Ahmad Zahir's ' "Keestam Man Rahnaward" was released on its scheduled release date, 1972. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Studio Volume 5". In this album, this song's track order is #9. In terms of popularity, Keestam Man Rahnaward is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Keestam Man Rahnaward by Ahmad Zahir having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baje Na Banshi | S. D. Burman | F Minor | 5 | 4A | 101 BPM | ||
| Ma Kahi Katai | Bhakta Raj Acharya | B Major | 5 | 1B | 133 BPM | ||
| Aamadi Janam Ba Qurbanat | Nashenas | B♭ Major | 6 | 6B | 102 BPM | ||
| Sarabela Aj Ke Dake | Shyamal Mitra | D Major | 5 | 10B | 131 BPM | ||
| Ba Tu Hamraz Meshawam | Hangama, Sara Soroor | B♭ Major | 8 | 6B | 100 BPM | ||
| Kuhu Kuhu Bole Koyaliya | Lata Mangeshkar, Mohammed Rafi | G Major | 3 | 9B | 108 BPM | ||
| Dar Talab | Nasrat Parsa | C Major | 9 | 8B | 160 BPM | ||
| Aashiqui Balae Jan Ma | Ustad Beltoon | A♭ Major | 6 | 4B | 92 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Ek Kali Muskayee | Mohammed Rafi | B Minor | 2 | 10A | 104 BPM | ||
| Jeene Ke Liye - Kumar Sanu | Kumar Sanu | F♯ Major | 6 | 2B | 170 BPM | ||
| Daghasi Gora | Gulnar Begum | C Minor | 3 | 5A | 137 BPM | ||
| با دلم نزدیک از چشمان من دوری | Wahid Saberi | D Major | 7 | 10B | 103 BPM | ||
| Agar Ze Khalq | Ahmad Zahir | D Minor | 5 | 7A | 93 BPM | ||
| Az Shawqe Gule Ruyat | Vaheed Kaacemy | وحید قاسمی | C Major | 5 | 8B | 154 BPM | ||
| Dar Qemare Zendagi | Nashenas | F Major | 3 | 7B | 139 BPM | ||
| ای ساربان | Sarban | B♭ Major | 6 | 6B | 121 BPM | ||
| Chhalke Ras Ki Gagariya Sari | Wahidan Bai, Anil Biswas | D Major | 3 | 10B | 101 BPM | ||
| RONE AUR ISHIQ MEIN BEBAK HO GAE | Lata Mangeshkar | E♭ Minor | 8 | 2A | 81 BPM | ||
| Khak Budam Khun Shudam Degar Na Medan Che Shud | Feroz Kondozi | C Minor | 6 | 5A | 176 BPM | ||
| Mere Hatheele Shyam - Bhajan | Pankaj Mullick | G Major | 3 | 9B | 117 BPM | ||
| Begou Begou | Elaheh | A♭ Minor | 5 | 1A | 76 BPM | ||
| Ki Kore Janle Tumi | R. D. Burman, Amit Kumar | G Major | 7 | 9B | 77 BPM | ||
| آهنگ ناب محلی اموتو قلندری | موزیک محلی | G Major | 9 | 9B | 156 BPM | ||
| Soja Ladle Soja Mere Munne | Lata Mangeshkar, Kalyanji-Anandji | E♭ Minor | 8 | 2A | 81 BPM |