John McCutcheon's ' "Caught in the Crossfire" was released on its scheduled release date, January 1, 1989. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Water From Another Time: A Retrospective by John McCutcheon. The song's track number on the album is #7 out of 20 tracks. Caught in the Crossfire is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Caught in the Crossfire by John McCutcheon has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Caught in the Crossfire being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St. Mary's Of Regret | Susan Werner | G Major | 3 | 9B | 161 BPM | ||
| Fead an Iolar (The Eagle's Whistle) | Adam Agee, Jon Sousa | F Major | 2 | 7B | 138 BPM | ||
| The Troubles | John McCutcheon | C Major | 3 | 8B | 155 BPM | ||
| Waltzing with Bears | Priscilla Herdman | C Major | 3 | 8B | 142 BPM | ||
| Driving Home | Cheryl Wheeler | F Major | 2 | 7B | 106 BPM | ||
| Dublin Blues | Guy Clark | E Major | 2 | 12B | 81 BPM | ||
| Lassie wi' the Lint-White Locks | Karen Matheson / Phil Cunningham / Donald Shaw | D Major | 4 | 10B | 130 BPM | ||
| First Lullaby | Priscilla Herdman | D Major | 2 | 10B | 141 BPM | ||
| Cowboy Singer | Dave Carter, Tracy Grammer | B♭ Major | 2 | 6B | 108 BPM | ||
| Monsters | Haverin | D Minor | 2 | 7A | 128 BPM | ||
| Blue Boat Home | Peter Mayer | E Major | 5 | 12B | 141 BPM | ||
| The Season of Mercy | Carrie Newcomer | C Major | 4 | 8B | 125 BPM | ||
| Rock Me to Sleep, Mother | Cathie Ryan | C Major | 2 | 8B | 105 BPM | ||
| The Bramble And The Rose | Mary McCaslin, Jim Ringer | A Major | 4 | 11B | 156 BPM | ||
| Willin' | Richard Shindell | G Major | 5 | 9B | 134 BPM | ||
| Leave a Light On | Volume Five | G Major | 3 | 9B | 112 BPM | ||
| When Irish Girls Grow Up | Tom Russell, Dolores Keane, Iris DeMent | D Major | 4 | 10B | 145 BPM | ||
| Tide And The River Rising (Oars) | Cindy Kallet | B♭ Major | 1 | 6B | 134 BPM | ||
| Where the Mountain Meets the Bay | Buddy Wasisname & The Other Fellers | D Major | 3 | 10B | 141 BPM | ||
| The Uniform | Ten Strings and a Goat Skin | G Major | 3 | 9B | 89 BPM | ||
| Your Daughters and Your Sons (Live at Harvard, 1982) | Dick Gaughan | F♯ Major | 3 | 2B | 104 BPM | ||
| Arkansas Traveler – Traditional Bluegrass Fiddle / Violin / Viola (with The Wolf Rock Band) | Buffalo Dave, The Wolf Rock Band | G Major | 4 | 9B | 100 BPM | ||
| Long Gone | Bill Morrissey | A♭ Major | 5 | 4B | 115 BPM | ||
| Betty's Diner | Carrie Newcomer | B♭ Major | 3 | 6B | 80 BPM | ||
| From Galway to Graceland | Richard Thompson | G Major | 3 | 9B | 75 BPM |