- BPM
- 133
- Key
- C Minor
- Camelot
- 5A
I Can't Tell You by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie Song Details
"I Can't Tell You" by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie had its release date on August 26, 2008. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. I Can't Tell You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, I Can't Tell You's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With I Can't Tell You by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.171 dB
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia, Act II: No. 14, Aria. Il vecchiotto cerca moglie | Gioachino Rossini, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | |
 | Delage: 4 Poèmes hindous: No. 4, Jaipur. Stance de Bhartrihari | Maurice Delage, Felicity Lott, Kammersensemble de Paris, Armin Jordan | A♭ Major | 0 | 4B | 90 BPM | |
 | Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | |
 | Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
![Klami : Psalmus : Part I : Kiwet kowat Callioilla Cangahilla [Hard the rocks, the mountains and the canyons] by Uuno Klami, Savonlinna Opera Festival Choir and Helsinki Philharmonic Orchestra, Ulf Söderblom](https://i.scdn.co/image/ab67616d00001e0291f5c8e8c0afd087bbed4ff9) | Klami : Psalmus : Part I : Kiwet kowat Callioilla Cangahilla [Hard the rocks, the mountains and the canyons] | Uuno Klami, Savonlinna Opera Festival Choir and Helsinki Philharmonic Orchestra, Ulf Söderblom | C Major | 0 | 8B | 80 BPM | |
 | Tosca, Act I: Sommo giubilo, Eccelenza! | Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | |
 | Puccini: Turandot, Act 1: "Notte senza lumicino" (Coro, Calaf, Pong, Pang, Ping, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 1 | 8A | 98 BPM | |
 | Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | |
 | Mahler: Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Klaus Tennstedt, Klaus König, London Philharmonic Orchestra | F Major | 1 | 7B | 73 BPM | |
 | Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | A Major | 0 | 11B | 166 BPM | |
 | I Shoulda Stayed Back Home / Don't You Fret None, Little One | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | D Major | 2 | 10B | 90 BPM | |
 | Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A Major | 0 | 11B | 166 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | |
 | Barber: 3 Songs, Op. 10: No. 2, Sleep Now | Samuel Barber, Jennifer Larmore, Antoine Palloc | F♯ Major | 1 | 2B | 82 BPM | |
 | Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | |
 | Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | |
| Hooverville's Anywhere | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | F Major | 3 | 7B | 88 BPM | |
 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | A Major | 0 | 11B | 166 BPM | |
 | Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | |
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarino, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Mofidian, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 2 | 4A | 80 BPM |
- ISRC
- USB960886614
- Label
- L-M Records/RCA Records