"Concerto grosso in F Major, Op. 6, No. 2: II. Allegro" by Arcangelo Corelli, The English Concert, Trevor Pinnock had its release date on January 1, 1988. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 64 in Corelli: 12 Concerti Grossi Op. 6 by Arcangelo Corelli, The English Concert, Trevor Pinnock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto grosso in F Major, Op. 6, No. 2: II. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in F Major, Op. 6, No. 2: II. Allegro by Arcangelo Corelli, The English Concert, Trevor Pinnock is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 153 BPM | ||
| Violin Sonata in E-flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: IiI. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 86 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
| Chacony, Z628 | Henry Purcell, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 82 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Overture No. 3 in B-Flat Major: III. Allegro | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | B♭ Major | 4 | 6B | 122 BPM | ||
| Concerto for Oboe d'amore, Strings and Continuo in A: 3. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 108 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
| Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 99 BPM | ||
| Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM | ||
| Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
| Concerto a cinque No. 2, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 4 | 12A | 116 BPM | ||
| Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Concerto Armonico No. 5 in F Minor: A tempo comodo (con sordini) | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | G Major | 0 | 9B | 75 BPM |