Carlos Guastavino, Mario Raskin's ' "Bordando para la Reina" was released on its scheduled release date, September 18, 2015. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Bordando para la Reina's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 24 in Carlos Guastavino by Carlos Guastavino, Barbara Kusa, Mario Raskin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Bordando para la Reina's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bordando para la Reina by Carlos Guastavino, Mario Raskin is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| A la orilla de un palmar | Manuel Ponce, Alvaro Cendoya | F Major | 0 | 7B | 138 BPM | ||
| Beautiful Days | 二人旅, Hiroki Kashiwagi, Kenichi Mitsuda | C Major | 1 | 8B | 76 BPM | ||
| Ludvig's Dreams (Domestic) | Ola Kvernberg | C Major | 2 | 8B | 172 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Bailecito | Carlos Guastavino, Marcela Roggeri | D♭ Minor | 0 | 12A | 109 BPM | ||
| Liszt: Ave Maria IV, S. 545 | Franz Liszt, Stephen Hough | G Major | 0 | 9B | 93 BPM | ||
| Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| Improvisation No. 3 | Gabriela Montero | A♭ Minor | 0 | 1A | 106 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | C Major | 2 | 8B | 172 BPM | ||
| Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | C Major | 2 | 8B | 172 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | ||
| 4 Piano Pieces: No. 4, Gavotte | Sergei Rachmaninoff, Boris Giltburg | C Major | 2 | 8B | 172 BPM | ||
| Impermanências | André Mehmari, Antonio Meneses | G Major | 2 | 9B | 78 BPM | ||
| Études d'exécution transcendante, S. 139: No. 3 in F Major "Paysage" | Franz Liszt, Boris Giltburg | F Major | 0 | 7B | 88 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| 4 Lieder, Op. 27: IV. Morgen! | Richard Strauss, James Ehnes, Andrew Armstrong | G Major | 0 | 9B | 80 BPM |