Jason Durrant's 'When We Were' had a release date set for July 7, 2013. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. When We Were's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jason Durrant's "Love Between Us" album is number 11 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, When We Were's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of When We Were by Jason Durrant to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shattered Heart | Ferdinand Martin | G Minor | 1 | 6A | 167 BPM | ||
| 涙そうそう(夏川りみ) | YASU | F Major | 1 | 7B | 69 BPM | ||
| even if〜instrumental〜 | Ken Hirai | C Major | 2 | 8B | 126 BPM | ||
| Alone - Not Alone | Ronny Matthes | D♭ Major | 0 | 3B | 130 BPM | ||
| Meant to Be | Jason Durrant, Laree Salmon | E♭ Major | 0 | 5B | 66 BPM | ||
| Among Gentle Days | Elias Corvan, Milo Ferran, Luca Denard | B♭ Major | 1 | 6B | 69 BPM | ||
| Mia Is Coming | Jack Giuso | D Major | 0 | 10B | 99 BPM | ||
| Summer's Child | David Lanz, David | F Major | 1 | 7B | 78 BPM | ||
| I Would Prefer Some Silence | MOBUX | G Major | 3 | 9B | 144 BPM | ||
| Beautiful Melodies | Hans Kurniawan | E Major | 1 | 12B | 106 BPM | ||
| Be My First... | Yiruma | D Minor | 4 | 7A | 136 BPM | ||
| ぼくドラえもん | 今井亮太郎 | C Major | 2 | 8B | 112 BPM | ||
| Heroes' Return | Michael Straugh | C Major | 3 | 8B | 99 BPM | ||
| Be Thou My Vision | Joel Rosenberger | C Major | 0 | 8B | 92 BPM | ||
| Water | Laraba Pianist | A♭ Major | 0 | 4B | 143 BPM | ||
| O Hesus, Hilumin Mo - Instrumental | Arnel DC Aquino SJ | F Major | 2 | 7B | 105 BPM | ||
| Beauty and the Beast - Piano Version | Samuel Joseph | D Major | 1 | 10B | 59 BPM | ||
| Jagaku Tuhan | Stephen Erastus | D Minor | 0 | 7A | 120 BPM | ||
| Little Blue Girl | Marlotto | B♭ Major | 1 | 6B | 69 BPM | ||
| What Is Love - Piano Version | Henry Smith | B♭ Major | 1 | 6B | 119 BPM | ||
| ひだまりの詩 | 杉山泰 | C Major | 1 | 8B | 85 BPM | ||
| Cloudberry Fields | Piano Fantasy | B♭ Major | 1 | 6B | 123 BPM | ||
| Brownfield | Piano Fantasy | G Major | 2 | 9B | 145 BPM | ||
| Dance with My Father | Jason Durrant, David Davis | E♭ Major | 0 | 5B | 66 BPM | ||
| Great Is They Faithfulness | Simplicity Praise | D Major | 3 | 10B | 122 BPM |