"Proxima Centauri" by Dennis Gleiss, Rita Morais, Mar Vaqué had its release date on April 26, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 3 in Astralik by Dennis Gleiss. In terms of popularity, Proxima Centauri is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Proxima Centauri by Dennis Gleiss, Rita Morais, Mar Vaqué is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bastion | Cavid Babayev, Constalanta | F Major | 1 | 7B | 152 BPM | ||
| Whisper of a Waterfall | Tofiq Mikayilzade, Ted Boyarskiy | F♯ Major | 3 | 2B | 177 BPM | ||
| Ars aemula naturae | Corpus Dominix | F Major | 2 | 7B | 81 BPM | ||
| Seeking Reentry | Joy Ngiaw | G Major | 1 | 9B | 170 BPM | ||
| The Return of Lion El'Jonson - Atmospheric Version | Adeptus Sanctum, Jared Moreno Luna | A♭ Minor | 6 | 1A | 139 BPM | ||
| Desde El Primer Momento | Las Pléyades | F Major | 3 | 7B | 95 BPM | ||
| La Union De Contrincantes | Titanexx | E Minor | 3 | 9A | 139 BPM | ||
| The Path Ahead | Chris Roe | E Minor | 1 | 9A | 100 BPM | ||
| Mirage in the Snow (Modern Cinematic Music) | Florian Bochkovsky | B♭ Minor | 0 | 3A | 120 BPM | ||
| Finding a Voice | Anne Dudley | A Minor | 4 | 8A | 155 BPM | ||
| Arenas | Caos Ancestral | G Minor | 1 | 6A | 95 BPM | ||
| Vincere Ad Ogni Costo | Sagrifizio | B♭ Minor | 7 | 3A | 100 BPM | ||
| Erosione Progressiva | EDO ZENITH | A Minor | 3 | 8A | 80 BPM | ||
| Ocasos De Verdad | Las Pléyades | F♯ Minor | 2 | 11A | 170 BPM | ||
| Victims of the Fallen World | Fred Bouchal | B♭ Minor | 2 | 3A | 81 BPM | ||
| Aria | Ivan Rondel | B Minor | 0 | 10A | 136 BPM | ||
| Mejoras Repentinas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | A Minor | 0 | 8A | 100 BPM | ||
| Windswept Heights | Curtis Schweitzer | A♭ Minor | 6 | 1A | 139 BPM | ||
| The End of the War | JEAN-CHARLES ANICET | F♯ Minor | 2 | 11A | 120 BPM | ||
| La Banda estuvo ahí - Extended Version | Iván M. Lacámara, Budapest Symphony Orchestra | D Major | 5 | 10B | 106 BPM | ||
| Colors in My Eyes | Farid Puber | B♭ Major | 2 | 6B | 68 BPM | ||
| To the Future | Gareth Coker | A♭ Minor | 6 | 1A | 139 BPM | ||
| Fear of Emptiness | Tofiq Mikayilzade, Ted Boyarskiy | B Major | 2 | 1B | 75 BPM | ||
| Lake Neverland | Eldar Dadashov, Edmelody | E♭ Minor | 1 | 2A | 64 BPM | ||
| Problemas Reales | Noches Eternas | D Minor | 4 | 7A | 135 BPM |