Peter Vuust, Veronica Mortensen's ' "Bounderies & Bridges" was released on its scheduled release date, November 15, 2005. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Peter Vuust's "Image of Falling" album is number 5 out of 14. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Bounderies & Bridges is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Bounderies & Bridges by Peter Vuust, Veronica Mortensen to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keep Me Close | Peter Vuust, Veronica Mortensen | A Minor | 3 | 8A | 120 BPM | ||
| Peanut | Tom Harrell | F Minor | 4 | 4A | 129 BPM | ||
| Imagine That | Tom Hemby, Pat Coil | F Minor | 1 | 4A | 107 BPM | ||
| The Inner Child | Peter Vuust | C Minor | 3 | 5A | 114 BPM | ||
| Trail Loop | Enrico Solazzo, Chase Baird, Roberto Gatto, Michel Rosciglione, Jazzology | G Major | 4 | 9B | 150 BPM | ||
| Soon | Peter Vuust, Veronica Mortensen | B♭ Minor | 6 | 3A | 119 BPM | ||
| Tour De Chambre | Billy Hicks Quartet | C Major | 1 | 8B | 114 BPM | ||
| Just Sayin | AGE, Gustav Lundgren, Adrien Sanchez, Édouard Pennes, Jean Dousteyssier, Guilhem Flouzat, Maxime Sanchez | F Minor | 1 | 4A | 107 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | F Minor | 1 | 4A | 107 BPM | ||
| A touch of breeze | Mill Basin | F Minor | 1 | 4A | 107 BPM | ||
| Clapham Junction | Florian Ross, WDR Big Band | B Major | 3 | 1B | 90 BPM | ||
| Marie Laveau | Kenny Barron, Tyreek McDole | C Major | 5 | 8B | 102 BPM | ||
| Morning Song | Peter Vuust | A♭ Major | 3 | 4B | 130 BPM | ||
| Track 5 | Søren Bebe Trio | C Major | 0 | 8B | 101 BPM | ||
| Why Don't We Do It in the Road | Hans Esbjerg, Morten Lund, Peter Vuust | C Major | 7 | 8B | 94 BPM | ||
| Ballad for My Father | Veigar Margeirsson, The Reykjavik Big Band, Ari Bragi Kárason | F Minor | 1 | 4A | 107 BPM | ||
| Chocolata | The Sunset Hill Jazz Band, Paul Rossy | D♭ Major | 2 | 3B | 74 BPM | ||
| Two Of The Three People That Aren't Me | Lophae, Greg Sanders, Tom Herbert, Sam Rapley, Ben Brown | F Minor | 1 | 4A | 107 BPM | ||
| Time Unfolded | Barbera Combo, Christian Lisi, Maurizio Piancastelli, Roberto Rossi | G Minor | 5 | 6A | 90 BPM | ||
| Shadow Self - Single Edit | Suzan Veneman, Timothy Banchet, Jasper van Damme | D Minor | 5 | 7A | 100 BPM | ||
| Grönbete | Jon Henriksson, Pelle von Bülow, Rasmus Holm | G Major | 4 | 9B | 83 BPM | ||
| No Risk, No Fun | Triosence | A♭ Major | 5 | 4B | 173 BPM | ||
| The Theory of Everything | Peter Vuust, Veronica Mortensen | F Major | 6 | 7B | 111 BPM | ||
| Dog dance | Sam Newbould | E Minor | 5 | 9A | 100 BPM | ||
| Song for My Mother | Adam Czerwinski, Darek Oleszkiewicz, Marcin Wądołowski, Alan Pasqua, Bob Sheppard | C Major | 4 | 8B | 136 BPM |