"Too Big To Sell" by Willy Porter had its release date on February 6, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Willy Porter's "How To Rob A Bank" album is number 8 out of 11. In terms of popularity, Too Big To Sell is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Too Big To Sell by Willy Porter to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waiving Like a Man Overboard | Marc Tewksbury | E♭ Major | 5 | 5B | 122 BPM | ||
| Hush, Sorrow | Buddy & Julie Miller, Buddy Miller, Julie Miller | G Major | 6 | 9B | 204 BPM | ||
| Parlor Blues | A World For You | E Minor | 6 | 9A | 114 BPM | ||
| Dirty Angels | Kevn Kinney | G Major | 7 | 9B | 156 BPM | ||
| Run Little One | The Subdudes | F♯ Minor | 6 | 11A | 102 BPM | ||
| Sycamore Street | William Topley | E Minor | 6 | 9A | 136 BPM | ||
| Annalee | Ellis Paul | C Major | 7 | 8B | 105 BPM | ||
| Take Me Back To Yesterday | Darrell Scott | A Major | 3 | 11B | 64 BPM | ||
| Storm Across the Sea | Chuck Prophet | D Major | 8 | 10B | 80 BPM | ||
| I Saw A Stranger With Your Hair | John Gorka | A Major | 2 | 11B | 131 BPM | ||
| Soap Creek Saloon - instrumental | Friends To The End, Everett Wren | D Major | 7 | 10B | 138 BPM | ||
| My Love Will Follow You | Richard Shindell | G Major | 3 | 9B | 179 BPM | ||
| Favorite Time Of Light | Over the Rhine | G Minor | 3 | 6A | 133 BPM | ||
| This Moment | Matthew Sweet | G Major | 5 | 9B | 135 BPM | ||
| Dona't Rain on My Rainy Day | Hugo Jacob | B♭ Minor | 8 | 3A | 83 BPM | ||
| Road Trip | John Nixon | C Major | 3 | 8B | 82 BPM | ||
| No Vacancy | The Subdudes | D Major | 4 | 10B | 108 BPM | ||
| I Get Up | Bryan Jack | A♭ Major | 7 | 4B | 120 BPM | ||
| River Speak | Willy Porter | B♭ Major | 1 | 6B | 129 BPM | ||
| Harbor (feat. Chadwick Stokes and Brad Corrigan) | Stephen Kellogg, Chadwick Stokes, Brad Corrigan | A Major | 4 | 11B | 120 BPM | ||
| Only God Can Save Us Now | Over the Rhine | D Major | 4 | 10B | 72 BPM | ||
| Too Much Saturn | Francis Dunnery | B♭ Major | 8 | 6B | 130 BPM | ||
| Ain't Gonna Worry No More | Peter Case | E Major | 4 | 12B | 142 BPM | ||
| Bury Me Deep | Poi Dog Pondering | D Major | 5 | 10B | 96 BPM | ||
| Don't Wait Up | Colin Hay | D Major | 1 | 10B | 123 BPM |