Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman's ' "Yeh Jo Mohabbat Hai And Dialogue" was released on its scheduled release date, January 1, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in R. D. Burman's "Kati Patang" album is number 2 out of 16. On top of that, India appears to be the country where this track was created. Based on our statistics, Yeh Jo Mohabbat Hai And Dialogue's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Yeh Jo Mohabbat Hai And Dialogue by Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghoonghar Wale Baal | Pt. Bhushan, Sunil, Kishore Kumar, Mahendra Kapoor, Pankaj | F Major | 9 | 7B | 120 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Jis Gali Mein Tera Ghar | Mukesh, R. D. Burman | G Major | 6 | 9B | 90 BPM | ||
| Aana Jana (Part I) - From "Geraftaar" | Bappi Lahiri, Shabbir Kumar | F♯ Minor | 5 | 11A | 89 BPM | ||
| Bhor Aai Gaya Andhiyara | Manna Dey, Kishore Kumar, Lakshmi Shankar, Nirmala Devi, Harindranath Chattopadhyay | D Major | 7 | 10B | 106 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Deewana Mujhsa Nahin | Mohammed Rafi, R. D. Burman | A♭ Major | 3 | 4B | 134 BPM | ||
| Mano Mano Ya Na Mano | R. D. Burman, Kishore Kumar | F Major | 7 | 7B | 125 BPM | ||
| Yeh Kaisi Ajab Dastan Ho Gayi | Suraiya | C Minor | 2 | 5A | 175 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Bade Achhe Lagte Hain | Amit Kumar, R. D. Burman | F♯ Major | 1 | 2B | 139 BPM | ||
| Kitne Phool | Bappi Lahiri, Kishore Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Sara Pyar Tumhara | Asha Bhosle, Kishore Kumar | D♭ Major | 5 | 3B | 177 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| Hum Na Samjhe The | S. P. Balasubrahmanyam | G Major | 6 | 9B | 85 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Maine Poochha Chand Se - From "Abdullah" | Mohammed Rafi, R. D. Burman | D♭ Major | 4 | 3B | 131 BPM | ||
| Dekh Lo Awaz Dekar - Prem Geet / Soundtrack Version | Anuradha Paudwal | B♭ Minor | 4 | 3A | 109 BPM | ||
| Main Duniya Bhula Doonga | Anuradha Paudwal, Kumar Sanu, Super Cassettes Industries Private Limited, Sameer Anjaan | A Minor | 7 | 8A | 157 BPM | ||
| Wada Humse Kiya | Mubarak Begum, Kalyanji-Anandji | E♭ Minor | 6 | 2A | 91 BPM | ||
| Jaate Ho Pardesh Piya | Anuradha Paudwal, Nitin Mukesh | F♯ Minor | 6 | 11A | 90 BPM |