On 2005, the song "Goin' To The River" was released by Sixty Grit. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Goin' To The River's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sixty Grit's "I've Been Redeemed" album is number 2 out of 10. In terms of popularity, Goin' To The River is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Goin' To The River by Sixty Grit to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shout | The Perry Case Band | A Major | 9 | 11B | 198 BPM | ||
| The St Christopher | Luca Rossi | A♭ Major | 8 | 4B | 87 BPM | ||
| No One to Talk To | The Pulse Experience | C Major | 8 | 8B | 98 BPM | ||
| Battlefield | Matt Bradford | B Minor | 9 | 10A | 170 BPM | ||
| Exodus 33.14 — My Presence Shall Go | Holy Groove | D Minor | 5 | 7A | 165 BPM | ||
| In the Name of No Good | Altered Five Blues Band | F Major | 7 | 7B | 121 BPM | ||
| Dangerous game | Mark Selby | A Major | 8 | 11B | 116 BPM | ||
| Great Change | Glenn Kaiser | A♭ Major | 4 | 4B | 111 BPM | ||
| Grace in Shadows | Stephen Mojo | E Major | 6 | 12B | 119 BPM | ||
| Wrong Time, Wrong Place | The Road Heavy | A Major | 8 | 11B | 170 BPM | ||
| Engines Over Mire | promptgenix | A♭ Major | 4 | 4B | 90 BPM | ||
| Nenhuma Condenação | Gospel Groove | G Major | 3 | 9B | 201 BPM | ||
| Mr. Jones | Michael Rodriguez | G Major | 5 | 9B | 92 BPM | ||
| The Whippoorwills Call | The Unwanted | D Major | 7 | 10B | 146 BPM | ||
| Smokin' Hot Mama | Harry Athanass | A Minor | 4 | 8A | 77 BPM | ||
| Woodie Guthrie highway | Muskogee Hotel, Knut Roppestad, Richard Gjems | F Minor | 8 | 4A | 96 BPM | ||
| Walking Hand in Hand | Lazlo's Gone | G Major | 7 | 9B | 144 BPM | ||
| You Can' Have It Both Ways | Leon Laudenbach | A Minor | 6 | 8A | 131 BPM | ||
| Lets go to work | Muskogee Hotel, Knut Roppestad, Richard Gjems | F Minor | 8 | 4A | 96 BPM | ||
| Sparks | Luvanio | E Minor | 6 | 9A | 79 BPM | ||
| Waitin | Lazlo's Gone, Jon Conley | E Major | 6 | 12B | 108 BPM | ||
| Many Are the Troubles | Sixty Grit | G Major | 7 | 9B | 100 BPM | ||
| Way Down Low | Blues Counsel | D Major | 9 | 10B | 110 BPM | ||
| Strike the Bells | Delta Generators | G Major | 7 | 9B | 105 BPM | ||
| Closing the Show | Terrible Tunes | E Minor | 7 | 9A | 121 BPM |