On 1998, the song "Your Love's On The Line" was released by Earl Thomas Conley. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Should've Been Over By Now". In this album, this song's track order is #8. In terms of popularity, Your Love's On The Line is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Your Love's On The Line by Earl Thomas Conley having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Time for Everything | Little Texas | C Major | 5 | 8B | 123 BPM | ||
| Hurt Me Bad (In A Real Good Way) | Patty Loveless | D Major | 5 | 10B | 133 BPM | ||
| You Still Move Me | Dan Seals | E Major | 3 | 12B | 61 BPM | ||
| Makin' up for Lost Time (with Crystal Gayle) | Gary Morris, Crystal Gayle | D♭ Major | 4 | 3B | 112 BPM | ||
| Fighting For You | Pirates Of The Mississippi | D Major | 3 | 10B | 180 BPM | ||
| I Let A Keeper Get Away | Steve Wariner | B Major | 5 | 1B | 134 BPM | ||
| The Midnight Oil | Barbara Mandrell | F♯ Major | 3 | 2B | 81 BPM | ||
| Love Without Mercy | Lee Roy Parnell | D♭ Major | 2 | 3B | 79 BPM | ||
| Do You Believe Me Now | Vern Gosdin | A♭ Major | 2 | 4B | 72 BPM | ||
| Whoever's In New England | Reba McEntire | B Major | 2 | 1B | 75 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| Somebody Paints the Wall | Tracy Lawrence | D Major | 5 | 10B | 161 BPM | ||
| Whiskey Chasin' | Joe Stampley | A♭ Major | 4 | 4B | 96 BPM | ||
| I Could Use Another You | Eddy Raven | A Major | 6 | 11B | 119 BPM | ||
| Do You Love as Good as You Look | The Bellamy Brothers | G Major | 8 | 9B | 121 BPM | ||
| Jesus and Mama - Remastered Version | Confederate Railroad | B Major | 6 | 1B | 137 BPM | ||
| Do You Love As Good As You Look | The Bellamy Brothers | G Major | 5 | 9B | 122 BPM | ||
| Anymore | Travis Tritt | B Major | 3 | 1B | 148 BPM | ||
| Lyin' in His Arms Again | The Forester Sisters | C Major | 3 | 8B | 88 BPM | ||
| That's as Close as I'll Get to Loving You | Aaron Tippin | B♭ Major | 6 | 6B | 87 BPM | ||
| New Looks from an Old Lover | B.J. Thomas | E Major | 6 | 12B | 118 BPM | ||
| Sacred Ground | McBride & The Ride | G Major | 4 | 9B | 105 BPM | ||
| Love Helps Those | Paul Overstreet | D Major | 6 | 10B | 151 BPM | ||
| Going Someplace to Forget | David Ball | G Major | 4 | 9B | 83 BPM | ||
| When I'm Away From You | The Bellamy Brothers | A♭ Major | 8 | 4B | 112 BPM |