"This is Considered Mere Formality" by Ion Dissonance had its release date on July 13, 2010. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 13 in Cursed by Ion Dissonance. In terms of popularity, This is Considered Mere Formality is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of This is Considered Mere Formality by Ion Dissonance is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Noah Will Be Your Grave | The Acacia Strain | B♭ Minor | 10 | 3A | 150 BPM | ||
| Camilla Rhodes | Between The Buried And Me | D Major | 9 | 10B | 101 BPM | ||
| Grand Sultan Summer | The Sawtooth Grin | C Major | 10 | 8B | 126 BPM | ||
| Ghost of a Stranger | The Faceless | D♭ Major | 10 | 3B | 108 BPM | ||
| Dreaming In Dog Years | The Red Chord | G Major | 9 | 9B | 113 BPM | ||
| Pee Wee Herman/Paul Reubens | Ed Gein | D Major | 10 | 10B | 119 BPM | ||
| I'm Tired Of Making You Listen And You Listen Good | Destroyer Destroyer | B Major | 10 | 1B | 76 BPM | ||
| The 42nd Ego | Arsonists Get All The Girls | D♭ Major | 10 | 3B | 88 BPM | ||
| Bleak | Frontierer | B Minor | 10 | 10A | 154 BPM | ||
| Saint Matthew Returns to the Womb | Botch | G Major | 10 | 9B | 159 BPM | ||
| Falling In Style | Glass Cloud | F Minor | 9 | 4A | 88 BPM | ||
| Circling the Drain | Admiral Angry | A♭ Major | 10 | 4B | 98 BPM | ||
| Synchronicity | Sectioned | B♭ Minor | 10 | 3A | 35 BPM | ||
| Discordant | Underneath The Gun | E♭ Minor | 10 | 2A | 110 BPM | ||
| How To Disconnect From Your Social Surrounding In Half An Hour | War From A Harlots Mouth | C Major | 10 | 8B | 122 BPM | ||
| Juggernaut | Cave In | A♭ Major | 10 | 4B | 155 BPM | ||
| Atlas[t] | Structures | B♭ Minor | 10 | 3A | 141 BPM | ||
| The Audience | The Chariot | C Major | 9 | 8B | 93 BPM | ||
| The Try (Thank You) | The Number Twelve Looks Like You | D Major | 9 | 10B | 82 BPM | ||
| Jay Walking Backwards | The Number Twelve Looks Like You | A Minor | 9 | 8A | 77 BPM | ||
| Android | Admiral Angry | D♭ Major | 10 | 3B | 131 BPM | ||
| The Running Board | The Dillinger Escape Plan | B Major | 10 | 1B | 120 BPM | ||
| In Response to Stars | Misery Signals | C Major | 10 | 8B | 94 BPM | ||
| Before There Was Atlanta, There Was Douglasville | The Chariot | F Minor | 7 | 4A | 75 BPM | ||
| The Crossfire | The Tony Danza Tapdance Extravaganza | C Major | 10 | 8B | 122 BPM |