Amar Pal's ' "Nadi Re Tor Shital Buke" was released on its scheduled release date, January 1, 1980. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 16 in Bhatiganger Maajhi by Amar Pal, Abhijit Banerjee, Traditional, Chandra Kanto Nandi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nadi Re Tor Shital Buke's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nadi Re Tor Shital Buke by Amar Pal is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Aaji Godhuli Lagone | Padma Palash | D♭ Major | 4 | 3B | 138 BPM | ||
| Khanchar Bhitar Achin Pakhi | Amar Pal | A♭ Major | 5 | 4B | 84 BPM | ||
| Sohini | Baps Swaminarayan Sanstha | B Minor | 5 | 10A | 85 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Hriday Pinjiray Bosi | Amar Pal | B Major | 6 | 1B | 110 BPM | ||
| Aga Bhage Hori Amar | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Tum Sam Kaun Udar | Madan Gopal | A Major | 4 | 11B | 155 BPM | ||
| Mere Har Jio, Pt. 1 | Veer Manpreet Singh | D♭ Minor | 2 | 12A | 136 BPM | ||
| Svapna Siddhi Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Ramam | Sharma Bandhu | F♯ Minor | 5 | 11A | 143 BPM | ||
| Aaj Yamunaji Padharya Mare Gher | Ami Joshi | A♭ Major | 5 | 4B | 152 BPM | ||
| GAURI STUTI | Morari Bapu | F♯ Major | 4 | 2B | 180 BPM | ||
| Nitipravin Nigmagam | Shree Swaminarayan Mandir Kalupur | F♯ Major | 6 | 2B | 117 BPM | ||
| Kar Do Kashama Kishori Apradh Mere Sare | Mukul Dwivedi | E Minor | 4 | 9A | 98 BPM | ||
| Elore Chaitanyer Gari | Amar Pal | D♭ Major | 5 | 3B | 96 BPM | ||
| Jagate Ananda Yogge | Mita Chatterjee, Rabindranath Tagore | C Major | 2 | 8B | 122 BPM | ||
| Oi Ranga Ranga Duti Paye | Amrik Singh Arora | B♭ Minor | 5 | 3A | 148 BPM | ||
| Shamshane Jagichhe Shyama | Anup Ghoshal | C Minor | 4 | 5A | 146 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Mon Tor Eto Bhabna | Srikanta Acharya | D Major | 4 | 10B | 154 BPM | ||
| Ek Dineroi Jiban Tabu | Amrik Singh Arora | B Minor | 5 | 10A | 134 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Tujhi Aan Vahin Ga | Baba Maharaj Satarkar | E Minor | 8 | 9A | 100 BPM |