Reme Martin's ' "Salute" was released on its scheduled release date, October 15, 1990. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 49 out of 56 in Commercials and Programme Cues 4 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Salute is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Salute by Reme Martin is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Were My Everything | zdone | D♭ Major | 2 | 3B | 170 BPM | ||
| True Disturbing October Horror Stories - Part 1 | Mr. Nightmare | D♭ Major | 2 | 3B | 96 BPM | ||
| Red Paint | Lavie Goldblatt | A Minor | 2 | 8A | 78 BPM | ||
| Klas | Peter von Poehl | F Major | 2 | 7B | 86 BPM | ||
| Beyond the Blue | Tanakorn Jirachotas | B♭ Minor | 1 | 3A | 105 BPM | ||
| Colores. | Polopolo | G Major | 6 | 9B | 200 BPM | ||
| Seattle X3 | Seattle Electronic | B♭ Major | 0 | 6B | 91 BPM | ||
| Lodestone | Scary Monkey | D♭ Major | 4 | 3B | 140 BPM | ||
| Stay a Little Longer | zdone | F♯ Minor | 4 | 11A | 156 BPM | ||
| Amores Como El Tuyo | OndaÉxotica | A Minor | 3 | 8A | 133 BPM | ||
| Scariest Things That Happened to School Buses - Part 1 | Mr. Nightmare | D♭ Major | 3 | 3B | 100 BPM | ||
| Timeless Echoes | leo brisa | F Minor | 4 | 4A | 94 BPM | ||
| Friday's Departure | Klaus Schulze | B Minor | 1 | 10A | 168 BPM | ||
| Decoding Artificial Intelligence | Cosmic Space Traveler | F Minor | 1 | 4A | 67 BPM | ||
| Hollywood X4 | Subharmonic Machine | A Major | 4 | 11B | 99 BPM | ||
| 夕暮れの台所 | nooto | E♭ Major | 1 | 5B | 85 BPM | ||
| Screw Loose (B2) | Reme Martin | A Minor | 5 | 8A | 137 BPM | ||
| Tomorrow's Baby of the Year | James Ferraro | A♭ Major | 7 | 4B | 172 BPM | ||
| Grinch | Vugas | A♭ Major | 0 | 4B | 111 BPM | ||
| Harmonic Serenade | Melody Explorer | F♯ Major | 1 | 2B | 132 BPM | ||
| Sueños a La Deriva | Galactic Corners | A♭ Major | 0 | 4B | 72 BPM | ||
| Underneath the Surface | nico marr | D Minor | 8 | 7A | 137 BPM | ||
| Rock'n Roll Emergency | Birthday Suits | A Major | 7 | 11B | 132 BPM | ||
| 432 Hz Improve Memory | Interstellarmoon Sky | D Major | 1 | 10B | 177 BPM | ||
| Serendipitous Encounters | leo brisa | A♭ Minor | 5 | 1A | 123 BPM |