"Nathan Agrees" by Craig Armstrong had its release date on June 24, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Craig Armstrong's "Me Before You (Original Motion Picture Score)" album is number 18 out of 23. Nathan Agrees is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nathan Agrees by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Ballantyne (Movement 3 Ballantyne 1) | Calum Martin, Craig Armstrong, Hugh Wilson, Cecilia Weston, Scottish Ensemble, Isobel Ann Martin, Calum Iain Macleod | C Major | 0 | 8B | 53 BPM | ||
| The triumph of time | Max Richter | C Major | 9 | 8B | 160 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| A Son Named Jesus | John Debney | F Minor | 1 | 4A | 79 BPM | ||
| Meeting Old Nickerson - Bonus Track | Roque Baños | C Minor | 0 | 5A | 67 BPM | ||
| Time Moves On | Craig Armstrong | A Major | 2 | 11B | 75 BPM | ||
| Faction Before Blood | Junkie XL | B♭ Major | 2 | 6B | 85 BPM | ||
| What Beach? | John Ottman | F Major | 0 | 7B | 180 BPM | ||
| I Promise, I'm Gonna Be a Good Mummy (Katie's Theme) | Ralf Wengenmayr | B♭ Major | 0 | 6B | 65 BPM | ||
| Jacob's Death | Trevor Morris | C Major | 0 | 8B | 58 BPM | ||
| P.S. I Love You | John Powell | C Major | 0 | 8B | 79 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Dishes Are Never a Chore | Mark McKenzie | G Major | 1 | 9B | 69 BPM | ||
| Those Arms Are For You | Mark McKenzie | D Major | 0 | 10B | 92 BPM | ||
| Road Trip | Danny Bensi and Saunder Jurriaans | A Minor | 0 | 8A | 90 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| I Opened My Eyes | AGF, Craig Armstrong | E♭ Major | 3 | 5B | 177 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| Alltag | Martin Lingnau, Ingmar Süberkrüb | B Minor | 2 | 10A | 110 BPM | ||
| Hand on Knee | Andrew Lockington | D Major | 2 | 10B | 121 BPM | ||
| The Secret To Life | Marcelo Zarvos | F Major | 1 | 7B | 206 BPM | ||
| I Let Her Go | Geoff Zanelli | F♯ Minor | 1 | 11A | 93 BPM |