Rameshwar Pathak, Dhanada Pathak's ' "Doul Chari Jai" was released on its scheduled release date, January 9, 1986. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 27 in Bhajare Pamaru Mon Rameshwar And Dhanada Pathak by Rameshwar Pathak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Doul Chari Jai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Doul Chari Jai by Rameshwar Pathak, Dhanada Pathak is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vuline Chamkare Motida Parovo | Hemant Chauhan, Praful Dave, Damyanti Bardai, Meena Patel, Kavita Krishnamurthy | A♭ Major | 6 | 4B | 128 BPM | ||
| Jai Radhe Jai Radhe Gobinda | Shilpi Das | C Major | 6 | 8B | 117 BPM | ||
| Swaminarayan Bhajre | Shree Swaminarayan Mandir Kalupur, Zalak Pandya, Salim Merchant | F♯ Minor | 6 | 11A | 135 BPM | ||
| Aaji Mandiror | Pankaj Bardoloi | G Minor | 6 | 6A | 167 BPM | ||
| Hi Bhook Kashi Re | Yuvraj Pradhan | B♭ Minor | 5 | 3A | 82 BPM | ||
| Bhajore Bhajore Kali Naam | Parikshit Bala | E♭ Major | 6 | 5B | 81 BPM | ||
| Deewano Vego Tu Vaat Vata | Gajanan Pavar, Shahin Shaikh | A♭ Major | 4 | 4B | 129 BPM | ||
| Ami Elam Tomar | Indrani Sen | B Minor | 5 | 10A | 89 BPM | ||
| Montro Tantro | Swami Divyavratananda, Ramakrishna Mission | F♯ Major | 5 | 2B | 136 BPM | ||
| Tumi Prabhu Anathar Nath | Rameshwar Pathak, Dhanada Pathak | A♭ Major | 3 | 4B | 92 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Deva Devi Sri Gowri Devi | Parupalli Ranganath | A♭ Major | 4 | 4B | 140 BPM | ||
| Chhura Kina | Uday Sotang, Manila Sotang | D Major | 5 | 10B | 100 BPM | ||
| Sukhni Sima Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Mathura Kansa Bandisale | Arabinda Muduli | G Minor | 8 | 6A | 93 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Dungariye Manga Aave | Kamlesh Barot | G Minor | 5 | 6A | 162 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Gajavadana | Mandar Apte | G Major | 5 | 9B | 87 BPM | ||
| Hari Mon Mojaaye | Jayati Chakraborty | B♭ Major | 6 | 6B | 136 BPM | ||
| Prabhat Kaley Maer Koley | Amar Pal | D♭ Major | 3 | 3B | 82 BPM | ||
| Kunacha Mi Kon Radhe | Surykant Shinde | E♭ Minor | 8 | 2A | 92 BPM | ||
| Moh Re Moho | Zubeen Garg, Pranita | A Minor | 8 | 8A | 84 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM |