Messiah / Part 2: "He was despised"
George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner
Handel: Messiah
11:16 January 1, 1976
BPM
83
Key
E♭ Major
Camelot
5B

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Messiah / Part 2: "He was despised" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

"Messiah / Part 2: "He was despised"" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 1, 1976. This song appears to be safe for all ages as it is not explicit. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 16 out of 37. Messiah / Part 2: "He was despised" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah / Part 2: "He was despised" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-25.088 dB
Acousticness
95%
Danceability
18%
Energy
7%
Instrumentalness
0%
Liveness
11%
Loudness
58%
Speechiness
5%
Valence
4%

Recommendations

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records