Jamie Walters & The Heights's 'How Do You Talk To An Angel (As Heard on Beverly Hills 90210) (Re-Recorded / Remastered)' had a release date set for November 15, 2011. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 90s & 00s DJ Top Picks's "Modern Rock - Sound Of The 90s & 00s Alternative Rock" album is number 14 out of 30. On top of that, United States appears to be the country where this track was created. How Do You Talk To An Angel (As Heard on Beverly Hills 90210) (Re-Recorded / Remastered) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Do You Talk To An Angel (As Heard on Beverly Hills 90210) (Re-Recorded / Remastered) by Jamie Walters & The Heights to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Will You Run To | Heart | D Major | 7 | 10B | 116 BPM | ||
| Counting Blue Cars (20th Anniversary Edition) | Dishwalla | D Major | 8 | 10B | 100 BPM | ||
| Oh Virginia | Blessid Union Of Souls | D Major | 9 | 10B | 190 BPM | ||
| Friends & Lovers | Gloria Loring, Carl Anderson | E♭ Major | 2 | 5B | 111 BPM | ||
| You're What I Look For | Glass Tiger | F Major | 7 | 7B | 120 BPM | ||
| I Miss You Still | Dan Hill | C Major | 5 | 8B | 136 BPM | ||
| Damn I Wish I Was Your Lover | Sophie B. Hawkins | B Minor | 8 | 10A | 95 BPM | ||
| Something To Believe In - 2003 Remaster | Poison | E♭ Major | 7 | 5B | 134 BPM | ||
| Run | Collective Soul | B Major | 8 | 1B | 96 BPM | ||
| All I Do | Daryl Braithwaite | D Major | 7 | 10B | 108 BPM | ||
| Toy Soldiers | Martika | D♭ Minor | 6 | 12A | 130 BPM | ||
| All Cried Out (with Full Force) | Lisa Lisa & Cult Jam, Full Force | D♭ Major | 4 | 3B | 144 BPM | ||
| If You're Gone | Matchbox Twenty | A Major | 7 | 11B | 110 BPM | ||
| Didn't We Love | Tamara Walker | D♭ Major | 5 | 3B | 95 BPM | ||
| Love Bites - Radio Edit | Def Leppard | C Minor | 8 | 5A | 130 BPM | ||
| This Could Be the Night | Loverboy | F♯ Major | 9 | 2B | 118 BPM | ||
| I Understand | McMaster & James | D Major | 6 | 10B | 170 BPM | ||
| Wild Wild West | The Escape Club | B Minor | 8 | 10A | 119 BPM | ||
| Open Road | John Cafferty & the Beaver Brown Band | C Major | 9 | 8B | 140 BPM | ||
| Keep the Faith | Valentine | F♯ Minor | 8 | 11A | 126 BPM | ||
| All I Want | Toad The Wet Sprocket | C Major | 7 | 8B | 124 BPM | ||
| Love Song | Tesla | D Major | 3 | 10B | 82 BPM | ||
| Why | Jamie Walters | D Major | 8 | 10B | 126 BPM | ||
| Til I Hear It From You | Gin Blossoms | A Major | 9 | 11B | 124 BPM | ||
| Hand To Hold On To | John Mellencamp | A Major | 9 | 11B | 117 BPM |