On September 18, 2006, the song "Brahma Mokatay" was released by B.V.Balasai, B. Sivaramakrishna Rao. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in B.V.Balasai, B. Sivaramakrishna Rao's "Music From India" album is number 8 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Brahma Mokatay's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Brahma Mokatay by B.V.Balasai, B. Sivaramakrishna Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thondhisariya (Mayamalavagowla) | Swarathmika Srikanth | A♭ Major | 7 | 4B | 100 BPM | ||
| Thotakastakam | Bombay Sisters | C Minor | 8 | 5A | 178 BPM | ||
| Akhilandeswari - Lalgudi G Jayaraman - Dwijawanti | Lalgudi G. Jayaraman | A♭ Major | 4 | 4B | 141 BPM | ||
| Valli Kanavan | B.V.Balasai | D Minor | 4 | 7A | 80 BPM | ||
| Chinnachiru - Ragamalika - Adi (Thisra Gathi) | Rajhesh Vaidhya | G Major | 6 | 9B | 166 BPM | ||
| Kanjadalayathakshi - Kamalamanohari - Adi | P.Satish Kumar, H.Prasana, B.V.Balasai, and A.Durgaprasad | G Major | 7 | 9B | 150 BPM | ||
| Raag Bageshri | Sounds of Optimism, Deepesh Sanmal | D Major | 3 | 10B | 90 BPM | ||
| Jesinathella Thodi - Namagiripettai Krishnan | Namagiripettai Krishnan | A♭ Minor | 6 | 1A | 110 BPM | ||
| Nrusimha Dwadasha Sthothram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | G Major | 3 | 9B | 164 BPM | ||
| Brahmam Okate | B.V.Balasai | A Major | 6 | 11B | 180 BPM | ||
| Muddhu Momu - Flute | N. Ramani | A♭ Major | 5 | 4B | 92 BPM | ||
| Tum Sharanai Aayo Thakur | Madan Gopal | F♯ Major | 5 | 2B | 87 BPM | ||
| Krishna Krishna Krishna Yendu | Mysore Ramachandrachar | B♭ Major | 3 | 6B | 160 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Gajavadhana - Violin | Kunnakudi Vaidyanathan | F♯ Minor | 4 | 11A | 191 BPM | ||
| Melluko Sringara | Priya Sisters | D♭ Major | 3 | 3B | 143 BPM | ||
| Sukhache Je Sukh | Jitendra Abhisheki, Aarya Ambekar | G Major | 6 | 9B | 126 BPM | ||
| Vishwadhari | B.V.Balasai, B. Sivaramakrishna Rao | F♯ Minor | 4 | 11A | 150 BPM | ||
| Sri Rama Chandra Jaya Rama Chandra Unplugged | Sri Sathya Sai Bhajans | D♭ Minor | 4 | 12A | 96 BPM | ||
| Nache Panduranga | Sivasri Skandaprasad | D Major | 5 | 10B | 108 BPM | ||
| Sri Hanuman Chalisa | Divine Life Society of South Africa | F Minor | 6 | 4A | 80 BPM | ||
| Inner Sun | Anura Bansuri | C Major | 6 | 8B | 108 BPM | ||
| Khseerabdhi Kanyakaku | Shobha Raju | G Major | 2 | 9B | 150 BPM | ||
| Desh - Desh - Deepchandi Tala - Instrumental | Aditya Sriram, IndianRaga, Priyanka Chary, Sumhith Veda Aradhyula | F Minor | 9 | 4A | 120 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM |