Bhagwanti Navani, Surinder, Jagdish, Rakesh, Jethalal's ' "Mor Mukat Ghansham" was released on its scheduled release date, January 1, 2013. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in C. Laxmichand's "Muhinja Man Kabutar" album is number 4 out of 10. On top of that, India appears to be the country where this track was created. Mor Mukat Ghansham is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mor Mukat Ghansham by Bhagwanti Navani, Surinder, Jagdish, Rakesh, Jethalal to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jiski Manzil Hi - Original | Nitin Mukesh | E♭ Minor | 7 | 2A | 154 BPM | ||
| Guru Sharan Mein Rehna | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Chala Re Chala Vinayak | Shailendra Kumar | F Major | 4 | 7B | 93 BPM | ||
| Palav | Ram Panjwani, Bhagwanti Navani, Satram Rohara, Lajja Bhatia, Kamla Keswani, Chetan | A Major | 3 | 11B | 132 BPM | ||
| Yeh Bharat Ki Hai Shaan | Sridhar Parsekar, Master Krishnarao | E Major | 3 | 12B | 79 BPM | ||
| Saha Mahine Yeti Somvati | Chhagan Chougule | D Major | 9 | 10B | 123 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Maiya Sudh Nahi Bisaru | Shahnaz Akhtar | D♭ Major | 5 | 3B | 105 BPM | ||
| Shadi Asan Je | Kamla Keswani, Others | G Major | 6 | 9B | 139 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Hanuman Ji Ki Katha By Anup Jalota Part.4 | Anup Jalota | F Minor | 8 | 4A | 80 BPM | ||
| Ghare Aavo Chod Dao Kay Lala Tumne | Raju Patel, Dhaniram Sen | C Major | 5 | 8B | 122 BPM | ||
| Sajan Ji Aas Aa | Bhagwanti Navani, Kamla Keswani | F♯ Major | 6 | 2B | 78 BPM | ||
| Dance Kari Yoon | Bhagwanti Navani | D♭ Major | 3 | 3B | 91 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Jhoom Utha Paagal Man | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM | ||
| Chanda Chandaini Jagthe Ratiha | Mamta Chandrakar, Mithlesh Sahu | E♭ Major | 5 | 5B | 83 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM | ||
| Sakal Kamana Heen | Samir Date, Dipalee Date | F Minor | 6 | 4A | 88 BPM | ||
| Samapti Shlok | Hari Om Sharan, Nandini Sharan | A Major | 2 | 11B | 79 BPM | ||
| Kya Hoi Dagadya Toi | Narendra Singh Negi, Anuradha Nirala, Mangla Rawat, Usha Negi | F Minor | 5 | 4A | 163 BPM | ||
| Mola Raipur Shahar | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM |