O Come, All Ye Faithful (Arr. for String Quartet by Michael Begay) by John Francis Wade, Miró Quartet Song Details

"O Come, All Ye Faithful (Arr. for String Quartet by Michael Begay)" by John Francis Wade, Miró Quartet had its release date on November 28, 2025. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. O Come, All Ye Faithful (Arr. for String Quartet by Michael Begay)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Miró Quartet's "Hearth" album is number 11 out of 15. On top of that, Netherlands appears to be the country where this track was created. O Come, All Ye Faithful (Arr. for String Quartet by Michael Begay) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of O Come, All Ye Faithful (Arr. for String Quartet by Michael Begay) by John Francis Wade, Miró Quartet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 20%
Loudness: -20.526 dB
Acousticness: 84%
Danceability: 12%
Energy: 7%
Instrumentalness: 36%
Liveness: 16%
Loudness: 66%
Speechiness: 5%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Traditional: The Holly and the Ivy	Choir of King's College, Cambridge	E Major	0	12B	78 BPM
O Come All Ye Faithful (Arr. Gamley & Hazell)	John Francis Wade, Lise Davidsen, Norwegian Soloists Choir, The Norwegian Radio Orchestra, Christian Eggen	B♭ Major	2	6B	93 BPM
O come, all ye faithful	John Francis Wade, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble	G Major	2	9B	92 BPM
Away in a Manger	Reginald Jacques, The Queen's Six	B♭ Major	0	6B	174 BPM
Hark! The Herald Angels Sing	London Symphony Orchestra	G Major	2	9B	108 BPM
Herbei, O Ihr Glaub'gen	John Francis Wade, Sibylla Rubens, Ingeborg Danz, Thomas Cooley, Da-Yong Zhang, Carsten Linck	G Major	0	9B	128 BPM
Gabriel's Message	Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter	B♭ Minor	1	3A	75 BPM
Adeste fideles	John Francis Wade, Plácido Domingo, José Carreras, Vjekoslav Sutej, Wiener Symphoniker, Gumpoldskirchner Spatzen Children's Choir	G Major	4	9B	77 BPM
Quelle est cette odeur agréable?	Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter	E Major	1	12B	79 BPM
Rejoyce and Be Merry	King's College Choir	G Major	1	9B	82 BPM
O Holy Night (Cantique de Noel) - Orchestral Version	Adolphe Adam, London Chamber Orchestra, Christopher Warren-Green, Margaret Campbell	E♭ Major	1	5B	171 BPM
Angels from the Realms of Glory (Arr. Ledger)	Traditional, Sir Philip Ledger, Choir of King's College, Cambridge	G Major	0	9B	87 BPM
The First Noel	King's College Choir	G Major	1	9B	75 BPM
It Came Upon a Midnight Clear	Richard S. Willis, The Philadelphia Brass Ensemble	B♭ Major	0	6B	149 BPM
Hark the Herald Angels Sing	William Hayman Cummings, Felix Mendelssohn Bartholdy, Chamber Choir Of The Arts Educational School, Ambrosian Singers, Vaughan Meakins	G Major	4	9B	89 BPM
While Shepherds Watched Their Flocks (Desc. by Stephen Cleobury)	Este's Psalter, 1592, Choir of King's College, Cambridge, Stephen Cleobury, Douglas Tang	F Major	2	7B	130 BPM
A Christmas Overture	Nigel Hess, Central Band Of The Royal Air Force	G Major	2	9B	179 BPM
Adeste Fidelis	Frederick Oakley, John Francis Wade, Choirs of St. John Cantius, Orchestra of St. John Cantius Church, Chicago, IL, Fr. Scott A. Haynes, SJC	A Major	3	11B	76 BPM
In Dulci Jubilo, Op. 10 - Arr. R. L. Pearsall	Worcester Cathedral Choir, Anonymous, Robert Lucas Pearsall	F Major	1	7B	90 BPM
O Come, All Ye Faithful	John Francis Wade, Peter Steiner, Constanze Hochwartner	A Minor	3	8A	67 BPM
Messiah, HWV 56: No. 12, For Unto Us a Child Is Born	George Frideric Handel, The Cambridge Singers, City of London Sinfonia, John Rutter	D Major	2	10B	84 BPM
English Sleigh Ride - Delius	London Pops Orchestra, Nelson Corbin	A Major	2	11B	85 BPM
Christmas Festival	Traditional, James Lord Pierpont, John Francis Wade, Boston Pops Orchestra, John Williams	G Major	1	9B	134 BPM
Messiah, HWV 56, Pt. 1 (Ed. W. Shaw): No. 12, For unto Us a Child Is Born	George Frideric Handel, Concert Artists of Baltimore Symphonic Chorale, Baltimore Symphony Orchestra, Edward Polochick	G Major	1	9B	109 BPM
Angels We Have Heard on High	Traditional, The Philadelphia Brass Ensemble	F Major	2	7B	138 BPM