"Love Is Here to Stay" by Rita Reys had its release date on November 16, 1975. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Rita Reys Sings The George Gershwin Songbook". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Love Is Here to Stay is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love Is Here to Stay by Rita Reys having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The coriolis effect | scoth | B♭ Major | 4 | 6B | 96 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM | ||
| I've Got The World On A String | Pim Jacobs Trio | C Major | 5 | 8B | 119 BPM | ||
| Theatre Andaluz | uuunderwater | F Major | 3 | 7B | 69 BPM | ||
| Piazza Rain | Still Geometry Jazz | E Minor | 4 | 9A | 178 BPM | ||
| Stardust | Rita Reys, Bengt Hallberg | G Minor | 0 | 6A | 79 BPM | ||
| Soon | Georgia Cécile, Fraser Urquhart | D♭ Major | 1 | 3B | 68 BPM | ||
| Umbrella at Passage | marss ala | E♭ Major | 2 | 5B | 77 BPM | ||
| Shutter Rondo | Polaroid Sessions | C Minor | 3 | 5A | 73 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Lullaby of Birdland | Anita Kerr Singers | C Minor | 6 | 5A | 159 BPM | ||
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| Undecided | Beverly Kenney | C Major | 3 | 8B | 174 BPM | ||
| Glass & Smoke | Kergon | B♭ Major | 4 | 6B | 96 BPM | ||
| Curtains Drawn at Dawn(1940s Jazz) | ZChill Jazz | G Minor | 0 | 6A | 95 BPM | ||
| The Room After Words | Milo Crescent | B♭ Major | 4 | 6B | 96 BPM | ||
| Facing Fears | Silas Oris | B♭ Major | 4 | 6B | 96 BPM | ||
| Sometime Ago | The SWR Big Band, Fola Dada | C Major | 5 | 8B | 49 BPM | ||
| Where Sound Floats | Arthur Glasswing | B♭ Major | 4 | 6B | 96 BPM | ||
| In The Wee Small Hours Of The Morning | Ann Burton, Louis Van Dijk, Piet Noordijk | F Major | 1 | 7B | 110 BPM | ||
| Chords of Yesterday | Velour JAZZ | B♭ Minor | 1 | 3A | 113 BPM | ||
| Stars Fell On Alabama | Rita Reys | F Major | 2 | 7B | 70 BPM | ||
| Nothing on My Mind | Mira Rae | C Major | 2 | 8B | 90 BPM |