イスラエル民謡, クロスロード・アカデミー・コーア's 'ひらけ、とこしえの扉よ<123番>' had a release date set for April 21, 1999. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 讃美歌21/全地よ、主に向かい~詩編をうたう~, so we believe that "ひらけ、とこしえの扉よ<123番>" is a single. ひらけ、とこしえの扉よ<123番> is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ひらけ、とこしえの扉よ<123番> by イスラエル民謡, クロスロード・アカデミー・コーア is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
| Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
| Voici que le printemps, L. 6 | Dilyana Georgieva, Galina Apostolova | F Minor | 1 | 4A | 129 BPM | ||
| Sonate et canzoni: Intrada à 6 | Giovanni Battista Buonamente, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Canon a 2 Voci | Γιάννη Yang | E♭ Major | 2 | 5B | 67 BPM | ||
| Carmen / Act 1: Et la garde descendante | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Walter Hagen-Groll | D Minor | 1 | 7A | 121 BPM | ||
| Jean-Baptiste Lully: Marche pour la cérémonie des Turcs for 4 Trumpets, Organ, Harpsichord and Timpani | Jean-Baptiste Lully, Giuseppe Galante | B Minor | 2 | 10A | 76 BPM | ||
| Svetilen of the Feast of Transfiguration | Choir of the Monks of Chevetogne | F Major | 1 | 7B | 74 BPM | ||
| Marie Galante: J'attends un navire (Arr. for Voice, Double Bass, Piano & Accordion by Katie Bray, Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, Katie Bray, William Vann, Murray Grainger, Marianne Schofield | E♭ Major | 2 | 5B | 67 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro | Johann Sebastian Bach, Stefano Bagliano, Fabiano Martignago, Daniele Rodi, Chiara Busi, Cecilia Massenzana, Luca Ventimiglia, Collegium Pro Musica | A Major | 0 | 11B | 98 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Sonata VI from L'Echo du Danube in A minor, 1706: Presto - Adagio | Johann Schenk, Sarah Cunningham | D♭ Major | 1 | 3B | 173 BPM | ||
| Messa di Gloria: Gloria in excelsis | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | B♭ Minor | 0 | 3A | 87 BPM | ||
| For The Feast-Day of St. James, apostle: O beate Dei athleta Jacobe | Urbani Loth, Arianna Savall, La Fenice, Jean Tubéry | A Minor | 1 | 8A | 81 BPM | ||
| Aminta e Fillide, HWV 83: Aria. Se vago rio (Aminta) | George Frideric Handel, Contrasto Armonico, Marco Vitale, Klaartje van Veldhoven | C Major | 1 | 8B | 88 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | E♭ Major | 2 | 5B | 67 BPM | ||
| In Dreams | Γιάννη Yang | C Minor | 5 | 5A | 127 BPM | ||
| Tartiniana seconda: I. Pastorale | Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda | A Minor | 0 | 8A | 81 BPM | ||
| 내 주를 가까이 하게 함은 | 신영옥 | G Major | 2 | 9B | 175 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): IV. Libera me de sanguinibus Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Si la Nieve Resvala - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Minor | 2 | 7A | 71 BPM | ||
| Ne abscondas faciem tuam a me | Radoslaw Pallarz, Lydia Schimmer, Ensemble Memoria Tenere | D Minor | 1 | 7A | 81 BPM | ||
| Jesus Christus, unser Heiland | Samuel Scheidt, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM |