宮川 泰, シンフォニック・オーケストラ・ヤマト's 'シャルバート巡礼船 - 「宇宙戦艦ヤマトIII」使用BGM' had a release date set for September 18, 2013. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of YAMATO SOUND ALMANAC 1981-III 宇宙戦艦ヤマトIII BGM集 Part2 by 宮川 泰, シンフォニック・オーケストラ・ヤマト. The song's track number on the album is #7 out of 27 tracks. Based on our data, Japan was the country where this track was produced or recorded. シャルバート巡礼船 - 「宇宙戦艦ヤマトIII」使用BGM is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since シャルバート巡礼船 - 「宇宙戦艦ヤマトIII」使用BGM by 宮川 泰, シンフォニック・オーケストラ・ヤマト has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With シャルバート巡礼船 - 「宇宙戦艦ヤマトIII」使用BGM being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| レッツゴー!!ライダーキック - Instrumental | Shunsuke Kikuchi | A Major | 3 | 11B | 180 BPM | ||
| 慕情 | マントヴァーニ | B Minor | 2 | 10A | 86 BPM | ||
| スター・ウォーズ | フィルム・スタジオ・オーケストラ | F Major | 4 | 7B | 121 BPM | ||
| グリーンスリーブス | マントヴァーニ楽団 | A Minor | 1 | 8A | 76 BPM | ||
| 宇宙戦艦ヤマト (2205 OP Ver.) | ささきいさお | C Minor | 5 | 5A | 145 BPM | ||
| 大都会 PartII | 杉本真人, Siena Wind Orchestra | D Minor | 6 | 7A | 120 BPM | ||
| TACのテーマ | Toru Fuyuki | F♯ Major | 2 | 2B | 149 BPM | ||
| 必殺仕掛人 春雪仕掛針 荒野の果てに・インストゥルメンタル ①M30 | Masaaki Hirao | B♭ Minor | 5 | 3A | 135 BPM | ||
| 「怪獣総進撃」 マーチ | 伊福部昭, Japan Philharmonic Orchestra | F♯ Minor | 4 | 11A | 113 BPM | ||
| C.X. 踊る大捜査線 ORIGINAL COVER | NIYARI計画 | F Major | 7 | 7B | 114 BPM | ||
| A-6(暴れん坊将軍) | 東映傑作シリーズ | G Major | 3 | 9B | 129 BPM | ||
| 組曲「宇宙戦艦ヤマト」 Ⅳ.出撃 | 宮川彬良, Tokyo Philharmonic Orchestra | F Major | 2 | 7B | 84 BPM | ||
| 夏に春の祭典を! | Akira Senju | A Minor | 7 | 8A | 153 BPM | ||
| 紅の機動兵器 M-14 | 松山祐士 | A♭ Major | 9 | 4B | 95 BPM | ||
| 天使のセレナード | ニュー・ポール・モーリア・グランド・オーケストラ | C Minor | 2 | 5A | 111 BPM | ||
| 妖精たちの午後 | ピエール・ポルト, ジャン・リュキュラー | G Major | 2 | 9B | 78 BPM | ||
| Eddie on Tracy Island | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| 火曜サスペンス劇場フラッシュバックテーマ | 木森敏之 | D Major | 3 | 10B | 134 BPM | ||
| テーマ (M2) - 『ウルトラQ』より | スタジオ・オーケストラ | F♯ Major | 6 | 2B | 134 BPM | ||
| 遊星から来た兄弟 勝利 (M5) - 『ウルトラマン』より | スタジオ・オーケストラ | F Major | 4 | 7B | 90 BPM | ||
| 鬼平犯科帳 オープニングテーマ(鬼平犯科帳) ORIGINAL COVER | NIYARI計画 | A Minor | 8 | 8A | 142 BPM | ||
| 大追跡のテーマ - TVサイズ | Yuji Ohno | B♭ Major | 7 | 6B | 144 BPM | ||
| Gメン'75 | Shunsuke Kikuchi, Siena Wind Orchestra | G Minor | 4 | 6A | 109 BPM | ||
| イスカンダル | Hiroki Kashiwagi | F Major | 5 | 7B | 83 BPM | ||
| Capturing Arrows with Boats of Straw (Live) | Jing Xian, Shen Yun Symphony Orchestra, Milen Nachev | A Minor | 3 | 8A | 79 BPM |