"Romancero Gitano, Op. 152: I. Baladilla de los Tres Rios" by Mario Castelnuovo-Tedesco, Benjamin Verdery, Judith Clurman had its release date on January 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "New York Concert Singers: The Mask". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Romancero Gitano, Op. 152: I. Baladilla de los Tres Rios is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romancero Gitano, Op. 152: I. Baladilla de los Tres Rios by Mario Castelnuovo-Tedesco, Benjamin Verdery, Judith Clurman having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 8 in A-Flat Major (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| 5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
| The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
| Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Heitor Villa-Lobos, Andrea de Vitis | A Minor | 2 | 8A | 84 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | A♭ Minor | 1 | 1A | 91 BPM | ||
| Bogdanovic: Suite brève: IV. Chaconne | Dusan Bogdanovic, Thibaut García | B Minor | 1 | 10A | 84 BPM | ||
| Children's Song No. 8 "The Sky" (Arr. for guitar by Forbes Henderson) | Chick Corea, Sean Shibe | A Minor | 0 | 8A | 115 BPM | ||
| Capriccio Diabolico ''Omaggio a Paganini'', Op.85 | Mario Castelnuovo-Tedesco, Kazuhito Yamashita | G Major | 1 | 9B | 86 BPM | ||
| Cantata BWV29 | J. S. Bach, Anabel Montesinos | D Major | 2 | 10B | 120 BPM | ||
| Carcassi: Études, Op. 60: No. 3 in A Major | Matteo Carcassi, Oscar Caceres | A Major | 2 | 11B | 113 BPM | ||
| ソナチネ イ長調 / II. Andante | Federico Moreno Torroba, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Fantasia X | Luys Milán, Giuseppe Chiaramonte | E Minor | 2 | 9A | 128 BPM | ||
| Homenaje, "Le Tombeau de Claude Debussy" (Version for guitar) | Manuel de Falla, Johannes Möller | E Minor | 0 | 9A | 68 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 9, La Rose | Mats Bergström | A Major | 2 | 11B | 118 BPM | ||
| Walton: 5 Bagatelles: No. 4, Lento | William Walton, Carlos Bonell | A♭ Minor | 1 | 1A | 91 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 11 in F Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| Flores de la montana (Arr. A. Lauro) | Raul Borges, Victor Villadangos | D Major | 0 | 10B | 98 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 4 | Felix Mendelssohn, Gerald Garcia | E Major | 0 | 12B | 126 BPM | ||
| Confesión de la Llanura | Mirta Alvarez | G Minor | 0 | 6A | 138 BPM | ||
| Keyboard Sonata No. 23 in D Minor: I. Adagio (Arr. R. Oliveira for Guitar) | Carlos Seixas, Bokyung Byun | D Minor | 0 | 7A | 80 BPM | ||
| Vals No. 17 in A Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | A♭ Minor | 1 | 1A | 91 BPM | ||
| Duarte: Appalachian Dreams, Op. 121: III. Darling Cora | John W. Duarte, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
| Dedicatoria | Enrique Granados, Kurt Schneeweiss | D Major | 0 | 10B | 175 BPM | ||
| Sonatina 4. a Capriccio | Teresa de Rogatis, Clara Campese | F Major | 3 | 7B | 65 BPM |