"La Source Du Lyson, Op. 47: Introduccion" by Napoléon Coste, Analía Rego had its release date on December 20, 2024. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 8 in Fantasías y Caprichos by Analía Rego. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, La Source Du Lyson, Op. 47: Introduccion's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Source Du Lyson, Op. 47: Introduccion by Napoléon Coste, Analía Rego is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Triptico: 1. Amida | Antonio Lauro, Adam Holzman | E Minor | 0 | 9A | 100 BPM | ||
| Caldera: Visión porteña | Pedro Pablo Caldera, Eliot Fisk | B Minor | 4 | 10A | 78 BPM | ||
| Sonata, Op. 61: III. Allegro vivo | Joaquín Turina, Elena Ortega | G Major | 2 | 9B | 97 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 2 in D Major (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| Allegro Sinfonico | Berta Rojas | D Major | 2 | 10B | 117 BPM | ||
| Albéniz: Suite española No. 1, Op. 47: VI. Aragón. Fantasia | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Aguirre: Aire Criollo No. 1 (Arr. for Guitar) | Julián Aguirre, Oscar Caceres | D Minor | 0 | 7A | 103 BPM | ||
| Ponce: 3 Canciones populares mexicanas: No. 3, La valentina | Manuel Ponce, Eliot Fisk | A Minor | 3 | 8A | 84 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Prelúdio No. 4 | Sergio & Odair Assad | B♭ Major | 0 | 6B | 102 BPM | ||
| Raio de lua | Planeta azul | A Major | 3 | 11B | 78 BPM | ||
| Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 3, Sindbads Reise [Sinbad's Journey] | Carlo Domeniconi, Celil Refik Kaya | A Major | 1 | 11B | 99 BPM | ||
| Towards The Closing Gates | Santiago Kodela | C Major | 2 | 8B | 77 BPM | ||
| Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Maria Luisa | David Tutmark | A Minor | 1 | 8A | 73 BPM | ||
| Guitar Sonata in A Major, Op. 29, No. 2: I. Allegro moderato (arr. J. Bream for guitar) | Anton Diabelli, Park Kyuhee | G Minor | 2 | 6A | 131 BPM | ||
| 36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
| Fantasia | Celedonio Romero, Pepe Romero | D Major | 1 | 10B | 127 BPM | ||
| 16 Valses favorites de Johann Strauss, Op. 7: II. Waltzes No. 6 - 10 | Napoléon Coste, Jeffrey McFadden | D Major | 1 | 10B | 100 BPM | ||
| Fantasia IX in B minor for solo violin TWV 4022 | Pablo Menéndez | D Major | 1 | 10B | 174 BPM | ||
| Segovia, Op. 29 | Albert Roussel, Marko Topchii | A Major | 1 | 11B | 109 BPM | ||
| Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | A Major | 2 | 11B | 138 BPM | ||
| Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
| Guitar Sonata No. 1: Allegro deciso e molto ritmico | Carlos Guastavino, Victor Villadangos | D Minor | 0 | 7A | 108 BPM |