Concerto Grosso: 2. Burlesca Ostinata by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Concerto Grosso: 2. Burlesca Ostinata' had a release date set for January 1, 1999. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Concerto Grosso: 2. Burlesca Ostinata's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Orchestral Works by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner, New Queen's Hall Orchestra, Barry Wordsworth, London Philharmonic Orchestra, Sir Adrian Boult. The song's track number on the album is #9 out of 22 tracks. Based on our statistics, Concerto Grosso: 2. Burlesca Ostinata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Concerto Grosso: 2. Burlesca Ostinata by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto Grosso: 2. Burlesca Ostinata being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Popularity: 8%
Loudness: -18.8 dB
Acousticness: 22%
Danceability: 25%
Energy: 24%
Instrumentalness: 86%
Liveness: 23%
Loudness: 69%
Speechiness: 4%
Valence: 38%

Recommendations

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Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro	Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann	A Major	1	11B	116 BPM
The Planets Suite, Op. 32: VII. Neptune	Gustav Holst, Vladimir Jurowski, Neville Creed, London Philharmonic Choir, London Philharmonic Orchestra	E Major	0	12B	95 BPM
Pictures at an Exhibition (Orch. Ravel): Promenade I	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F Major	0	7B	88 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Pictures At An Exhibition: Promenade I	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	F Major	1	7B	79 BPM
The Seasons, Op. 67: XIV. Petit Adagio	Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra	A Major	1	11B	87 BPM
Delius: On Hearing the First Cuckoo in Spring	Frederick Delius, San Francisco Symphony, Michael Tilson Thomas	E Minor	0	9A	81 BPM
Finlandia, Op. 26	Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales	A♭ Major	2	4B	70 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Fanfare for the Common Man	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	B♭ Major	2	6B	73 BPM
Symphony No. 3 - 'Pastoral Symphony': IV. Lento – Moderato maestoso	Ralph Vaughan Williams, Sarah Fox, Sir Mark Elder, Hallé	F Major	0	7B	67 BPM
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente	Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson	C Minor	1	5A	89 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Karelia Suite, Op.11: 1. Intermezzo (Moderato)	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	E♭ Major	1	5B	182 BPM
Karelia Suite, Op.11: 3. Alla marcia (Moderato)	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	3	11B	164 BPM